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Magnolia at the Modern
Jul 13, 2014

The Third Person tells three stories of love, passion, trust and betrayal, in a multi-strand story line reminiscent of Paul Haggis's earlier Oscar-winning film Crash. The tales play out in New York, Paris and Rome—three couples who appear to have nothing related but share deep commonalities: lovers and estranged spouses, children lost and found

137 minutes; R

Magnolia at the Modern
Jul 13, 2014

The Third Person tells three stories of love, passion, trust and betrayal, in a multi-strand story line reminiscent of Paul Haggis's earlier Oscar-winning film Crash. The tales play out in New York, Paris and Rome—three couples who appear to have nothing related but share deep commonalities: lovers and estranged spouses, children lost and found

137 minutes; R

Magnolia at the Modern
Jul 13, 2014

The Third Person tells three stories of love, passion, trust and betrayal, in a multi-strand story line reminiscent of Paul Haggis's earlier Oscar-winning film Crash. The tales play out in New York, Paris and Rome—three couples who appear to have nothing related but share deep commonalities: lovers and estranged spouses, children lost and found

137 minutes; R

Magnolia at the Modern
Jul 12, 2014

The Third Person tells three stories of love, passion, trust and betrayal, in a multi-strand story line reminiscent of Paul Haggis's earlier Oscar-winning film Crash. The tales play out in New York, Paris and Rome—three couples who appear to have nothing related but share deep commonalities: lovers and estranged spouses, children lost and found

137 minutes; R

Magnolia at the Modern
Jul 11, 2014

The Third Person tells three stories of love, passion, trust and betrayal, in a multi-strand story line reminiscent of Paul Haggis's earlier Oscar-winning film Crash. The tales play out in New York, Paris and Rome—three couples who appear to have nothing related but share deep commonalities: lovers and estranged spouses, children lost and found

137 minutes; R

Magnolia at the Modern
Jul 11, 2014

The Third Person tells three stories of love, passion, trust and betrayal, in a multi-strand story line reminiscent of Paul Haggis's earlier Oscar-winning film Crash. The tales play out in New York, Paris and Rome—three couples who appear to have nothing related but share deep commonalities: lovers and estranged spouses, children lost and found

137 minutes; R

Magnolia at the Modern
May 18, 2014

“It moves with the rhythms and emotions of classic kids' literature, possesses elegance and belly laughs in equal measure, and is almost magically beautiful to look at. And, like bears, it has bite.” Ty Burr, The Boston Globe.

Oscar-nominated Ernest and Celestine is a charming French-Belgium animated film about a bear and a mouse who forge an unlikely friendship.

80 minutes; PG; English

Magnolia at the Modern
May 18, 2014

“It moves with the rhythms and emotions of classic kids' literature, possesses elegance and belly laughs in equal measure, and is almost magically beautiful to look at. And, like bears, it has bite.” Ty Burr, The Boston Globe.

Oscar-nominated Ernest and Celestine is a charming French-Belgium animated film about a bear and a mouse who forge an unlikely friendship.

80 minutes; PG; English

Magnolia at the Modern
May 18, 2014

“It moves with the rhythms and emotions of classic kids' literature, possesses elegance and belly laughs in equal measure, and is almost magically beautiful to look at. And, like bears, it has bite.” Ty Burr, The Boston Globe.

Oscar-nominated Ernest and Celestine is a charming French-Belgium animated film about a bear and a mouse who forge an unlikely friendship.

80 minutes; PG; English

Magnolia at the Modern
May 17, 2014

“It moves with the rhythms and emotions of classic kids' literature, possesses elegance and belly laughs in equal measure, and is almost magically beautiful to look at. And, like bears, it has bite.” Ty Burr, The Boston Globe.

Oscar-nominated Ernest and Celestine is a charming French-Belgium animated film about a bear and a mouse who forge an unlikely friendship.

80 minutes; PG; English

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