Mexico City–based artist Mario García Torres creates cinematic narratives that explore obscure histories and personalities associated with conceptual art of the 1960s and 1970s. He presents his projects in a variety of media, including video, installation, photography, and sculpture, and he often uses antiquated technology, such as 16-mm film and slide projections, to parallel the era he is revisiting. For each work, García Torres researches evidence and myths related to relatively unknown events from the larger, more well-known moments of that specific period in art history.
The Modern's second Director's Council FOCUS exhibition for the 2014-2015 season features the work of the Chinese/Japanese collaborative team RongRong&inri.
The Modern's first Director's Council FOCUS exhibition for the 2014–2015 season features the work of New York-based artist Jules de Balincourt. The exhibition presents a selection of key works spanning the past few years of the artist’s career alongside new works on view for the first time.
Conceptual artist Rirkrit Tiravanija (pronounced Rick-rit Tee-rah-vah-nit), born in 1961 in Buenos Aires, Argentina, grew up living between Thailand, Ethiopia, and Canada as the son of a Thai diplomat. His grandmother played an important role in his life. She taught cooking on Thai television and owned a restaurant in Bangkok, where Tiravanija spent time as a youth. This background influenced the artist’s work, which often involves cooking in art-related places, such as museums and galleries.
The Modern Art Museum of Fort Worth and the Nasher Sculpture Center, Dallas, present a joint exhibition of the work of artist David Bates on view February 9 through May 11, 2014. The exhibition is a retrospective of Bates’s work installed in both locations with an emphasis on painting in Fort Worth and sculpture and works on paper in Dallas. This is the first collaboration between the two museums. The exhibition is organized by Dr. Marla Price, director of the Modern, and Jeremy Strick, director of the Nasher.
The exhibition presents a selection of works that span the past 10 years of the artist’s career, including his elaborately layered paintings and New York Times collages.
Terry Haggerty draws on the vocabulary of abstract art to create his illusory paintings and large-scale wall works. The artist’s central motif is created by painting patterned lines that alternate a light and dark color, such as white and blue. When juxtaposed, these colors play off of each other, appearing to advance and recede (as seen in Kinetic Friction, 2009).
The city provides the context for the visually packed work of San Francisco native Barry McGee. Since the mid-1980s, when McGee was a teenager, he has lived in the city’s oldest neighborhood, the Mission District. At that time, the Mission held a colorful, somewhat seedy, antiestablishment atmosphere with a thriving culture of youth, alternative musicians, artists, and thinkers. The vibe of the Mission influenced the artist early on, and he began to infiltrate the area’s flourishing graffiti boom with images that he created to reflect his surroundings.
British/Nigerian artist Yinka Shonibare MBE explores colonialism and the intricate ways in which it has shaped, and continues to shape, cultural identities. He is well known for his life-size sculptural tableaux featuring staged, headless mannequins dressed in elaborate period garments. In these works, the materials and designs of the original clothing are replaced with batik, a colorful and ornately patterned fabric.
New York-based artist Gary Simmons is known for his “erasure” technique, which he began using in the early 1990s. Initially creating semi-erased works with chalk on blackboards, the artist has evolved to works on paper, paint on canvas, and murals that mimic smudged chalk. The resulting blurred and ghostly images often refer to intersections of pop culture, race, and class.