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Magnolia at the Modern
Apr 21, 2012

"It's a thriller that feels like a documentary." -- Michael O'Sullivan, Washington Post

A carefree teenager's world is suddenly upended in this powerful and richly textured second feature from Joshua Marston that focuses on an Albanian family caught up in a blood feud.

109 minutes; Albanian, with English subtitles

Apr 21, 2012

Featuring pianist Christian Jacob

For tickets, click here.

1.866.499.ARTS (1.866.499.2787)

Magnolia at the Modern
Apr 22, 2012

"It's a thriller that feels like a documentary." -- Michael O'Sullivan, Washington Post

A carefree teenager's world is suddenly upended in this powerful and richly textured second feature from Joshua Marston that focuses on an Albanian family caught up in a blood feud.

109 minutes; Albanian, with English subtitles

Magnolia at the Modern
Apr 22, 2012

"It's a thriller that feels like a documentary." -- Michael O'Sullivan, Washington Post

A carefree teenager's world is suddenly upended in this powerful and richly textured second feature from Joshua Marston that focuses on an Albanian family caught up in a blood feud.

109 minutes; Albanian, with English subtitles

Magnolia at the Modern
Apr 22, 2012

"It's a thriller that feels like a documentary." -- Michael O'Sullivan, Washington Post

A carefree teenager's world is suddenly upended in this powerful and richly textured second feature from Joshua Marston that focuses on an Albanian family caught up in a blood feud.

109 minutes; Albanian, with English subtitles

The Big Drawing Class
Apr 27, 2012

A new take on a classic theme, this class will explore drawing in relation to the Modern’s exhibitions for the spring 2012 season. Drawing is cornerstone foundation for most artists. Whether a sketch, a notation, or a refined mark in a journal, all artists use drawing in various ways to work through ideas. This class explores drawing through the FOCUS exhibitions featuring KAWS, Katie Paterson, Ged Quinn, and the special exhibition, Glenn Ligon: AMERICA. The Big Drawing Class spans 13 weeks, with three different artists leading classes over the course of the semester.

Magnolia at the Modern
Apr 27, 2012

"A film that raises laughs even with its end credits, Whit Stillman's whimsical campus comedy Damsels in Distress is an utter delight. Making a welcome return to helming after a long sabbatical following 1998's The Last Days of Disco, Stillman proves he still knows how to write crackling, articulate dialogue for quirky preppie characters who he loves laughing at as much as with." -- Leslie Felperin, Variety

Magnolia at the Modern
Apr 27, 2012

"A film that raises laughs even with its end credits, Whit Stillman's whimsical campus comedy Damsels in Distress is an utter delight. Making a welcome return to helming after a long sabbatical following 1998's The Last Days of Disco, Stillman proves he still knows how to write crackling, articulate dialogue for quirky preppie characters who he loves laughing at as much as with." -- Leslie Felperin, Variety

Magnolia at the Modern
Apr 28, 2012

"A film that raises laughs even with its end credits, Whit Stillman's whimsical campus comedy Damsels in Distress is an utter delight. Making a welcome return to helming after a long sabbatical following 1998's The Last Days of Disco, Stillman proves he still knows how to write crackling, articulate dialogue for quirky preppie characters who he loves laughing at as much as with." -- Leslie Felperin, Variety

Magnolia at the Modern
Apr 29, 2012

"A film that raises laughs even with its end credits, Whit Stillman's whimsical campus comedy Damsels in Distress is an utter delight. Making a welcome return to helming after a long sabbatical following 1998's The Last Days of Disco, Stillman proves he still knows how to write crackling, articulate dialogue for quirky preppie characters who he loves laughing at as much as with." -- Leslie Felperin, Variety

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