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Magnolia at the Modern
May 20, 2012

"Rachel Weisz performs with enormous intelligence and restraint." Peter Bradshaw, The Guardian

Magnolia at the Modern
May 25, 2012

"Rueful, funny, and wise, The Salt of Life is a comedy not of errors but of the tiniest of missteps. A warm yet melancholy film of quiet yet inescapable charm, it has a feeling for character and personality that couldn’t be more delicious." -- Kenneth Turan, Los Angeles Times

Gianni is a retiree who has become invisible to most everyone around him. In response, he tries his best to generate some kind of extracurricular love life.

90 minutes; Italian, with English subtitles

Magnolia at the Modern
May 25, 2012

"Rueful, funny, and wise, The Salt of Life is a comedy not of errors but of the tiniest of missteps. A warm yet melancholy film of quiet yet inescapable charm, it has a feeling for character and personality that couldn’t be more delicious." -- Kenneth Turan, Los Angeles Times

Gianni is a retiree who has become invisible to most everyone around him. In response, he tries his best to generate some kind of extracurricular love life.

90 minutes; Italian, with English subtitles

Magnolia at the Modern
May 26, 2012

"Rueful, funny, and wise, The Salt of Life is a comedy not of errors but of the tiniest of missteps. A warm yet melancholy film of quiet yet inescapable charm, it has a feeling for character and personality that couldn’t be more delicious." -- Kenneth Turan, Los Angeles Times

Gianni is a retiree who has become invisible to most everyone around him. In response, he tries his best to generate some kind of extracurricular love life.

90 minutes; Italian, with English subtitles

Magnolia at the Modern
May 27, 2012

"Rueful, funny, and wise, The Salt of Life is a comedy not of errors but of the tiniest of missteps. A warm yet melancholy film of quiet yet inescapable charm, it has a feeling for character and personality that couldn’t be more delicious." -- Kenneth Turan, Los Angeles Times

Gianni is a retiree who has become invisible to most everyone around him. In response, he tries his best to generate some kind of extracurricular love life.

90 minutes; Italian, with English subtitles

Magnolia at the Modern
May 27, 2012

"Rueful, funny, and wise, The Salt of Life is a comedy not of errors but of the tiniest of missteps. A warm yet melancholy film of quiet yet inescapable charm, it has a feeling for character and personality that couldn’t be more delicious." -- Kenneth Turan, Los Angeles Times

Gianni is a retiree who has become invisible to most everyone around him. In response, he tries his best to generate some kind of extracurricular love life.

90 minutes; Italian, with English subtitles

Magnolia at the Modern
May 27, 2012

"Rueful, funny, and wise, The Salt of Life is a comedy not of errors but of the tiniest of missteps. A warm yet melancholy film of quiet yet inescapable charm, it has a feeling for character and personality that couldn’t be more delicious." -- Kenneth Turan, Los Angeles Times

Gianni is a retiree who has become invisible to most everyone around him. In response, he tries his best to generate some kind of extracurricular love life.

90 minutes; Italian, with English subtitles

Magnolia at the Modern
Jun 01, 2012

"Fellag's deeply felt performance is matched by the natural charm of the novice actors whom Falardeau guides to poignancy, enhanced by Jean-Pascal Hamelin's beautifully spare piano score. Monsieur Lazhar is as simple as sunlight, yet as difficult as forgiveness." Peter Howell, The Toronto Star

Magnolia at the Modern
Jun 01, 2012

"Fellag's deeply felt performance is matched by the natural charm of the novice actors whom Falardeau guides to poignancy, enhanced by Jean-Pascal Hamelin's beautifully spare piano score. Monsieur Lazhar is as simple as sunlight, yet as difficult as forgiveness." Peter Howell, The Toronto Star

Magnolia at the Modern
Jun 02, 2012

"Fellag's deeply felt performance is matched by the natural charm of the novice actors whom Falardeau guides to poignancy, enhanced by Jean-Pascal Hamelin's beautifully spare piano score. Monsieur Lazhar is as simple as sunlight, yet as difficult as forgiveness." Peter Howell, The Toronto Star

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