Marlon Blackwell, FAIA, practices architecture in Fayetteville, Arkansas and serves as Distinguished Professor and Department Head in the Fay Jones School of Architecture at the University of Arkansas. Recognized throughout his career with honors and awards, Blackwell received a 2012 AIA Institute Honor Award and the 2012 Architecture Prize from the American Academy of Arts and Letters for a unique use of design strategies that draw upon vernaculars and contradictions of place to transgress conventional boundaries for architecture.
Michael Auping, chief curator at the Modern, worked with London’s National Portrait Gallery curator Sarah Howgate on Lucian Freud: Portraits, contributing an essay to the exhibition catalogue as well as a series of interviews with the artist, who was often described as reclusive. These interviews were the last with the artist before he died and were completed between May 2009 and January 2011.
Bruce Nauman is one of the most influential artists working in the world today. The quintessential multi-media artist, Nauman has been a pioneer of performance and body art, conceptual photography, the use of language and sound as mediums, as well as video and site-specific installations. The Museum has recently acquired a new room-sized installation by the artist, Studio Mix, 2010. The work is inspired by a set of piano exercises that the composer Béla Bartók (1881–1945) wrote as a means of teaching children the piano.
Howard Rachofsky is an internationally renowned collector of contemporary art living in Dallas. He began collecting in the mid-1970s, and over the past three decades has amassed a world-class collection of paintings, sculpture, video, and installation art by many of the era’s greatest artists, including Robert Irwin, Donald Judd, Anselm Kiefer, Jeff Koons, Bruce Nauman, Gerhard Richter, and Mark Rothko, among many others.
Jenny Holzer is internationally recognized for her daring approach to public art and her dramatic site-specific installations in galleries and museums. Since the mid-1970s, Holzer has used language as her primary means of expression, delivering various statements and stories through a wide range of media. Beginning with inexpensively printed posters, Holzer’s art has steadily evolved in sophistication, expanding into a lexicon that includes advertising billboards, radio, television, clothing, and the medium she is most associated with—the electronic sign.