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Jul 02, 2016

Friday 6 pm ONLY; Saturday 5 pm; Sunday noon, 2 pm, and 4 pm

When her insurance company refuses to approve the care her husband needs to survive, a desperate wife takes things into her own hands. Up against an unyielding bureaucracy and disinterested workers, she is pushed to her breaking point. With her son in tow, she fights the system.

74 minutes; Spanish with English subtitles

Tour
Jul 02, 2016

A public tour focused specifically on current special exhibitions is available at 2 pm on the first Saturday of each month. This tour does not require prior arrangements and begins in the Museum lobby.

Jul 01, 2016

SOLD OUT

 

Bring a blanket, dust off your tiara, and let’s celebrate with an outdoor screening by the Modern’s reflecting pond.

Tour
Jul 01, 2016

A docent-led, twenty-minute tour of the galleries is available at 6:30 pm. Admission to the galleries is $10, $4 for students and seniors, free for Modern members. On First Friday, gallery admission is free for Star-Telegram Press Pass Holders

Jul 01, 2016

Friday 6 pm ONLY; Saturday 5 pm; Sunday noon, 2 pm, and 4 pm

When her insurance company refuses to approve the care her husband needs to survive, a desperate wife takes things into her own hands. Up against an unyielding bureaucracy and disinterested workers, she is pushed to her breaking point. With her son in tow, she fights the system.

74 minutes; Spanish with English subtitles

Studio Programs
Jul 01, 2016

Ages 8-10: June 27-July 1, 10 am-2 pm (This class is FULL, please email to be added to the wait list)
Member $145, Nonmember $165

Studio Programs
Jun 30, 2016

Ages 8-10: June 27-July 1, 10 am-2 pm (This class is FULL, please email to be added to the wait list)
Member $145, Nonmember $165

Studio Programs
Jun 29, 2016

Ages 8-10: June 27-July 1, 10 am-2 pm (This class is FULL, please email to be added to the wait list)
Member $145, Nonmember $165

Jun 28, 2016

June 28 – Persona, 1966

For its evident contemplation of a singular phenomenon of transfer of personality . . . [Persona] is rich in poetic intimations of subconscious longings and despairs, and it is likely to move one more deeply as poetry than as thought.
Bosley Crowther, New York Times, March 7, 1967

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