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Sundays with the Modern
Jun 02, 2013

Sundays with the Modern offers unique perspectives on the Museum’s architecture, permanent collection, and special exhibitions. Artists, art historians, critics, writers, and architects hold conversations and lead tours in the galleries. This special program is free and begins at 1 pm on the first Sunday of most months.

Magnolia at the Modern
Jun 02, 2013

“French director François Ozon’s latest, based on Juan Mayorga’s play The Boy in the Back Row, is a riveting examination of the serpentine nature of storytelling and of the frequently blurry lines dividing fact and fiction.” David O’Connell, 20/20 Filmsight. A sixteen-year-old boy insinuates himself into the house of a fellow student from his literature class and writes about it in essays for his French teacher.
105 minutes; R; French with English subtitles

Magnolia at the Modern
Jun 01, 2013

“French director François Ozon’s latest, based on Juan Mayorga’s play The Boy in the Back Row, is a riveting examination of the serpentine nature of storytelling and of the frequently blurry lines dividing fact and fiction.” David O’Connell, 20/20 Filmsight. A sixteen-year-old boy insinuates himself into the house of a fellow student from his literature class and writes about it in essays for his French teacher.
105 minutes; R; French with English subtitles

Jun 01, 2013

Docents are available to lead a public tour of the Modern’s building, designed by the renowned architect Tadao Ando, on the first Saturday of each month at 11 am. This tour does not require prior arrangements and is free with the price of admission.

Magnolia at the Modern
May 31, 2013

“French director François Ozon’s latest, based on Juan Mayorga’s play The Boy in the Back Row, is a riveting examination of the serpentine nature of storytelling and of the frequently blurry lines dividing fact and fiction.” David O’Connell, 20/20 Filmsight. A sixteen-year-old boy insinuates himself into the house of a fellow student from his literature class and writes about it in essays for his French teacher.
105 minutes; R; French with English subtitles

Magnolia at the Modern
May 31, 2013

“French director François Ozon’s latest, based on Juan Mayorga’s play The Boy in the Back Row, is a riveting examination of the serpentine nature of storytelling and of the frequently blurry lines dividing fact and fiction.” David O’Connell, 20/20 Filmsight. A sixteen-year-old boy insinuates himself into the house of a fellow student from his literature class and writes about it in essays for his French teacher.
105 minutes; R; French with English subtitles

Cafe Modern
May 31, 2013

Featuring music on the patio with Greg Lewis.

Enjoy live music, creating a relaxing ambiance on the patio at Café Modern from 5 to 8 pm. Musicians will be featured beginning April 26 through the end of May, weather permitting. On Friday evenings, seating is available for dinner from 5 to 8:30 pm. For reservations at Cafe Modern.

Cafe Modern
May 30, 2013

Café Modern chef Dena Peterson blends seasonal, local ingredients to create globally inspired, simply delicious fare. Join us for “ITALIAN WINE DINNER,” five-course wine dinner, Thursday, May 30 at 6:30 pm. Spend an elegant evening enjoying fresh, artfully crafted cuisine, matched perfectly with Italian wines served against the backdrop of the Modern Art Museum of Fort Worth’s iconic architecture and serene reflecting pond.

Course 1
Lemon  Arancini, King crab, Fennel and Arugula Salad
Feudi Falanghina, Sannio Falanguina 2011

Magnolia at the Modern
May 26, 2013

“A great film. Ramin Bahrani [is] the best new American director of recent years . . . and Dennis Quaid gives one of the performances of a lifetime.” Roger Ebert, Chicago Sun-Times. A farming family’s business is threatened by an unexpected crisis, further testing the relationship between a father and his rebellious son.
105 minutes; R for sexual content, including a strong graphic image, and for language

Magnolia at the Modern
May 26, 2013

“A great film. Ramin Bahrani [is] the best new American director of recent years . . . and Dennis Quaid gives one of the performances of a lifetime.” Roger Ebert, Chicago Sun-Times. A farming family’s business is threatened by an unexpected crisis, further testing the relationship between a father and his rebellious son.
105 minutes; R for sexual content, including a strong graphic image, and for language

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