October 21—Carlo McCormick, a culture critic and curator living in New York, is the author of numerous books, monographs, and catalogues on contemporary art and artists. He curated the exhibition The Downtown Show: The New York Art Scene, 1974–1984, which debuted at the Grey Art Gallery in New York in 2006 then embarked on a national tour, and contributed the essay “A Crack in Time” to the acclaimed catalogue The Downtown Book: The New York Art Scene, 1974–1984.
Joseph Kalichstein, piano; Gary Levinson, violin; Richard Young, viola; Ronald Leonard, cello
Of the energetic leadership of artistic director Gary Levinson, critic Gregory Isaacs said, “The newly revitalized Chamber Music Society of Fort Worth is fast becoming one of the handful of must-attend concert series for classical music buffs.” For more information or tickets, please call 817.877.3003 or visit www.chambermusicFW.org.
Saturdays, 2 pm
A pre-concert discussion series with Laurie Shulman begins at 1:15 pm.
The idea of “slow art” has its origins in the “slow food” movement centered on the enjoyment and appreciation of food that began in Italy in the late 1980s. The aim of the slow art movement is to break from the frenetic pace of modern life to simply enjoy works of art in a deliberate and unhurried fashion. Led by a Modern docent the third Friday of each month, Slow Art at the Modern features a 30-minute tour beginning at 5:30 pm that focuses on one work of art.
Please join fellow educators and administrators for an evening that highlights and celebrates the importance and benefits of arts education in our schools.
Art and Our Schools: An Evening at the Modern with Julia Marshall
Thursday, October 16, 2014
5:30 - 6:30 pm Lecture by renowned educator Julia Marshall
6:30 - 8 pm Reception with light refreshments, musical performances, and free admission to the galleries
Lowell Liebermann is one of America’s most frequently performed and recorded composers—a favorite among orchestras and distinguished artists worldwide. His compositions have been recorded and released by over 40 labels, and his Piano Concerto No. 2, performed by Stephen Hough and the BBC Scottish Symphony Orchestra, was nominated for a Grammy.