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Lecture
Apr 19, 2016

What is a word for collaboration between material will and human intention that implies generation rather than decay?
Martha Tuttle, artist statement

Lecture
Apr 12, 2016

April 12 - Frank Stella, artist featured in Frank Stella: A Retrospective, in conversation with Modern Chief Curator Michael Auping

Lecture
Apr 05, 2016

Minus the gold leaf, they function like pictures with pronounced textual elements — in other words, illustrated manuscripts for the 21st century.
Christian Viveros-Fauné, “Fernando Bryce, One-of-a Kind Copyist, On View in Chelsea,” Village Voice, December 15, 2015.

Lecture
Mar 29, 2016

What persists is an understated elegance and a sensitivity to gesture, color, and composition in fragmentary pictures: a silhouetted figure, a masked face, a veined arm. Presented in an oval format . . . the images might have been spied through a keyhole, and their Old Master allusiveness isn’t contradicted by the suggestion of dust and sweat.
New Yorker
, review of Arne Svenson: The Workers at Julie Saul Gallery, 2015

Lecture
Mar 22, 2016
Pensato’s stark colors, economy of form, and distortion still leave her prototypes recognizable, though their features are often hollow and masklike.
Lecture
Mar 08, 2016

Feehily has a very good eye, and knows how to make modesty feel major. And that, evidently, is plenty.                                         
Martin Herbert, review of Fergus Feehily at Stuart Shave/Modern Art, Frieze (October 2011).

Lecture
Mar 01, 2016
 
March 1 - Glenn Kaino, artist featured in FOCUS: Glenn Kaino

It is about the poetics of not knowing—about both mining and understanding the membrane between the known and the unknown. Glenn Kaino, in “Building Bridges: Glenn Kaino,” by Seth Hawkins, Artillery (May 2015).

Lecture
Feb 23, 2016

February 23 – Richard Wentworth, a leading figure in British art since the 1970s, is in dialogue with curator and writer Gavin Morrison to mark the recent publication of Making Do and Getting By.

Lecture
Dec 08, 2015

December 8
“As ephemeral as our footprints were in the sand along the river, so also were those moments of childhood caught in the photographs. And so will be our family itself, our marriage, the children who enriched it, and the love that has carried us through so much. All this will be gone. What we hope will remain are these pictures telling our brief story, but what will last, beyond all of it, is the place.” — Sally Mann, Hold Still: A Memoir with Photographs

A Special Lecture by Sally Mann

Lecture
Nov 10, 2015

November 10 — lauren woods is a Dallas-based conceptual artist whose hybrid media projects — film, video and sound installations, public interventions, and site-specific work — engage history as a lens through which to view the sociopolitical nature of the present. Challenging the tradition of documentary/ethnography as objective, woods creates ethno-fictive documents that investigate invisible dynamics in society, remixing memory and imagining other possibilities.

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