Richard Diebenkorn: The Ocean Park Series is the most comprehensive show to date of Diebenkorn's most celebrated works. Coorganized by Orange County Museum of Art in Newport Beach, California, and the Modern Art Museum of Fort Worth, the exhibition is curated by OCMA curator Sarah C. Bancroft.
Sculptor Teresita Fernández creates work in response to nature. Reminiscent of clouds, rainstorms, waterfalls, and stars in the night sky, Fernández’s mercurial forms shimmer, float, and undulate before our eyes. The artist is interested in generating an intimate experience with each of her installations. As she has put it, “What I’m after is a lingering, ephemeral engagement. Slow, quiet, and with enough depth kinesthetically to be recalled by the viewer after the work is no longer in front of them.”
Robert Lazzarini is best known for his sculptures of common objects in which detailed craftsmanship is combined with precise illusionistic distortion. Scaled to the size of the original object and using the same materials, Lazzarini creates versions of guns, knives, brass knuckles, chairs, telephones, telephone booths, and skulls, among other things. Factuality is a theme that runs throughout his imagery, as is visual perception and how that perception is constructed in both the mind of the viewer and in the physical world.
Since Ruscha's first road trip from Oklahoma City to Los Angeles in 1956, the artist has continued to engage the images he has encountered along the roads of the western United States. This multimedia presentation features some of his most iconic paintings, including two large-scale works from the 1960s, Standard Station, Amarillo, Texas (1963) and Standard Station with Ten-Cent Western Being Torn in Half (1964). The exhibition marks the first time these two paintings will be reunited in over three decades.
Erik Parker has described his work as “fragmented samples of our culture.” A Texas native, Parker is known for his figurative paintings of disembodied, twisted heads that ooze vivid color and recede into themselves as much as they explode outwardly into the space around them.
Born in 1943 at Fort Worth's Harris Hospital, Vernon Fisher is one of Texas's most internationally recognized artists. He has lived and worked in Fort Worth since 1977. Fisher received a BA in English literature from Hardin-Simmons University in 1967 and an MFA from the University of Illinois in 1969. Influenced by artists such as Edward Ruscha and John Baldessari, Fisher constructs visual narratives, combining images and language in a wide range of media.
American-born artist Ben Jones' work investigates new methods of pictorial storytelling in the digital age. An interdisciplinary artist working in video, sculpture, painting, light painting and drawing, his artworks and installations evoke environments and themes both familiar and bizarre.
Gabriel Acevedo Velarde is a multicultural, multimedia artist who creates narratives in which autobiography, history and fiction are intertwined. The artist was born in Lima, Peru; received his BFA in Puebla, Mexico; attended film school in Mexico City; and currently lives in Berlin, Germany. Having these different cultural viewpoints has informed his perspective on how individuality is created in a global society. His experimental videos and installations explore the notion of identity and its evolution through the use of social parables.
Andy Warhol: The Last Decade features nearly 50 works by Warhol and examines how he simultaneously worked with the screened image and pursued a reinvention of painting in his late work. Created amidst the bustle of Warhol's Pop celebrity, the works included illustrate the artist’s vitality, energy, and renewed spirit of experimentation. During those final years, Warhol produced more works, in a greater number of series, than at any other time.
The work of Norwegian-born Gardar Eide Einarsson often explores the complex relationship between individuals and institutions, and the painful limits of transgressing society-imposed boundaries.
The artist also has an interest in commonly used graphics and signs and how we collectively read and relate to them. Logo, 2008, for example, is an eerie black-and-white representation of the HSBC bank’s logo, conveying a dark and apt take on the banking industry.