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Jun 25, 2017

Cate Blanchett stars as 13 different characters in this semi-experimental take on artistic manifestos directed by Julian Rosefeldt.
95 minutes

Magnolia at the Modern is an ongoing series featuring critically acclaimed films. Tickets are $9; $7 for Modern members; $6 for Reel People. The Sunday noon show time is half price. Advance sales begin two hours prior to each show.

Jun 25, 2017

Cate Blanchett stars as 13 different characters in this semi-experimental take on artistic manifestos directed by Julian Rosefeldt.
95 minutes

Magnolia at the Modern is an ongoing series featuring critically acclaimed films. Tickets are $9; $7 for Modern members; $6 for Reel People. The Sunday noon show time is half price. Advance sales begin two hours prior to each show.

Jun 25, 2017

Cate Blanchett stars as 13 different characters in this semi-experimental take on artistic manifestos directed by Julian Rosefeldt.
95 minutes

Magnolia at the Modern is an ongoing series featuring critically acclaimed films. Tickets are $9; $7 for Modern members; $6 for Reel People. The Sunday noon show time is half price. Advance sales begin two hours prior to each show.

Jun 24, 2017

Cate Blanchett stars as 13 different characters in this semi-experimental take on artistic manifestos directed by Julian Rosefeldt.
95 minutes

Magnolia at the Modern is an ongoing series featuring critically acclaimed films. Tickets are $9; $7 for Modern members; $6 for Reel People. The Sunday noon show time is half price. Advance sales begin two hours prior to each show.

Jun 24, 2017

Lucian Msamati (LutherGame of Thrones, NT Live: The Comedy of Errors) plays Salieri in Peter Shaffer’s iconic play, broadcast live from the National Theatre, and with live orchestral accompaniment by Southbank Sinfonia. Wolfgang Amadeus Mozart, a rowdy young prodigy, arrives in Vienna, the music capital of the world – and he’s determined to make a splash. Awestruck by his genius, court composer Antonio Salieri has the power to promote his talent or destroy his name.

Jun 23, 2017

Cate Blanchett stars as 13 different characters in this semi-experimental take on artistic manifestos directed by Julian Rosefeldt.
95 minutes

Magnolia at the Modern is an ongoing series featuring critically acclaimed films. Tickets are $9; $7 for Modern members; $6 for Reel People. The Sunday noon show time is half price. Advance sales begin two hours prior to each show.

Jun 23, 2017

Cate Blanchett stars as 13 different characters in this semi-experimental take on artistic manifestos directed by Julian Rosefeldt.
95 minutes

Magnolia at the Modern is an ongoing series featuring critically acclaimed films. Tickets are $9; $7 for Modern members; $6 for Reel People. The Sunday noon show time is half price. Advance sales begin two hours prior to each show.

Jun 21, 2017

Lucian Msamati (LutherGame of Thrones, NT Live: The Comedy of Errors) plays Salieri in Peter Shaffer’s iconic play, broadcast live from the National Theatre, and with live orchestral accompaniment by Southbank Sinfonia. Wolfgang Amadeus Mozart, a rowdy young prodigy, arrives in Vienna, the music capital of the world – and he’s determined to make a splash. Awestruck by his genius, court composer Antonio Salieri has the power to promote his talent or destroy his name.

Jun 21, 2017

Lucian Msamati (LutherGame of Thrones, NT Live: The Comedy of Errors) plays Salieri in Peter Shaffer’s iconic play, broadcast live from the National Theatre, and with live orchestral accompaniment by Southbank Sinfonia. Wolfgang Amadeus Mozart, a rowdy young prodigy, arrives in Vienna, the music capital of the world – and he’s determined to make a splash. Awestruck by his genius, court composer Antonio Salieri has the power to promote his talent or destroy his name.

Jun 20, 2017

Kings of the Road, Wim Wenders, 1976, 2 hrs. 55 mins.

Wim Wenders' Kings of the Road is a film of great depth and beauty, and its black and white photography is worthy of comparison with John Ford's. But it is rarely played commercially, maybe because of its three-hour length. Three hours, yes, but that's not a moment too long. Wenders needs the time to pace the developing relationship between his two main characters. Roger Ebert, March 15, 1978

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