“An astounding and moving look at a typical shift at Oakland's Highland Hospital." G. Allen Johnson, San Francisco Chronicle. This 2012 documentary film and social media project directed by Peter Nicks follows the life and times of patients, doctors, and staff at Highland Hospital, a safety-net hospital in Oakland, California.
81 minutes
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Friday 6 and 8 pm; Saturday 5 pm; Sunday no noon show time, 2 pm, and 4 pm
Friday–6 pm Animated; 8 pm Live Action
Saturday–5 pm Animated
Sunday–2 pm Animated; 4 pm Live Action (no noon show time)
Magnolia at the Modern is an ongoing series featuring critically acclaimed films. Tickets are $8.50; $6.50 for Modern members. The Sunday noon show time is half price. Advance sales begin two hours prior to each show.
Friday 6 and 8 pm; Saturday 5 pm; Sunday no noon show time, 2 pm, and 4 pm
Friday–6 pm Animated; 8 pm Live Action
Saturday–5 pm Animated
Sunday–2 pm Animated; 4 pm Live Action (no noon show time)
Magnolia at the Modern is an ongoing series featuring critically acclaimed films. Tickets are $8.50; $6.50 for Modern members. The Sunday noon show time is half price. Advance sales begin two hours prior to each show.
5 Broken Cameras, an award-winning new documentary, tells the story of a Palestinian farmer who obtained a video camera to record his son's childhood, but ended up documenting the growth of the resistance movement in the West Bank village of Bil'in. The film shows the non-violent tactics used by residents of Bil'in as they join with international and Israeli activists to protest the wall's construction.
Friday 6 and 8 pm; Saturday 5 pm; Sunday no noon show time, 2 pm, and 4 pm
Friday–6 pm Animated; 8 pm Live Action
Saturday–5 pm Animated
Sunday–2 pm Animated; 4 pm Live Action (no noon show time)
Magnolia at the Modern is an ongoing series featuring critically acclaimed films. Tickets are $8.50; $6.50 for Modern members. The Sunday noon show time is half price. Advance sales begin two hours prior to each show.
Harlan Jacobson’s Talk Cinema features sneak previews of highly acclaimed foreign and independent films. Co-hosted this fall by Tearlach Hutcheson, professor at SMU and Director of Marketing for the Movie Studio Grills, the series encourages discussion among audience members, offering the added bonus of seeing great new films from festivals around the world before they hit theaters. The films vary in nationality and scope, and titles are kept a surprise until the screening. Coffee will be served at 10:30 am.
Friday 6 and 8 pm; Saturday 5 pm; Sunday no noon show time, 2 pm, and 4 pm
Friday–6 pm Animated; 8 pm Live Action
Saturday–5 pm Animated
Sunday–2 pm Animated; 4 pm Live Action (no noon show time)
Magnolia at the Modern is an ongoing series featuring critically acclaimed films. Tickets are $8.50; $6.50 for Modern members. The Sunday noon show time is half price. Advance sales begin two hours prior to each show.
Friday 6 and 8 pm; Saturday 5 pm; Sunday no noon show time, 2 pm, and 4 pm
Friday–6 pm Animated; 8 pm Live Action
Saturday–5 pm Animated
Sunday–2 pm Animated; 4 pm Live Action (no noon show time)
Magnolia at the Modern is an ongoing series featuring critically acclaimed films. Tickets are $8.50; $6.50 for Modern members. The Sunday noon show time is half price. Advance sales begin two hours prior to each show.
“How did Mr. Panahi do this? I'm at a bit of a loss to explain, to tell you the truth, since my job is to review movies, and this, obviously, is something different: a masterpiece in a form that does not yet exist.” A. O. Scott, The New York Times. Iranian director Jafar Panahi was put under house arrest in 2010 and banned from filmmaking for 20 years. This film was smuggled out of Iran on a USB stick hidden in a cake. By depicting a day in his life, Panahi and Mojtaba Mirtahmasb try to portray the deprivations looming in contemporary Iranian cinema.
“How did Mr. Panahi do this? I'm at a bit of a loss to explain, to tell you the truth, since my job is to review movies, and this, obviously, is something different: a masterpiece in a form that does not yet exist.” A. O. Scott, The New York Times. Iranian director Jafar Panahi was put under house arrest in 2010 and banned from filmmaking for 20 years. This film was smuggled out of Iran on a USB stick hidden in a cake. By depicting a day in his life, Panahi and Mojtaba Mirtahmasb try to portray the deprivations looming in contemporary Iranian cinema.









