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Academy Award nominee Benedict Cumberbatch (BBC’s Sherlock, The Imitation Game, Frankenstein at the National Theatre) takes on the title role of Shakespeare’s great tragedy.
Directed by Lyndsey Turner (Posh, Chimerica) and produced by Sonia Friedman Productions, National Theatre Live will broadcast this eagerly awaited production live to cinemas.
“The work’s a combination of radicalism and humanism,” she says. “When I stand in front of these paintings, it forces me to be there in a way I recognize as essential to my well-being.” Artist Roni Horn quoted in Howie Kahn, “Home Is Where the Art Is: The Ryman Family,” Wall Street Journal, November 17, 2015
Open to all Modern members
As a benefit of your Modern membership, you are invited to complimentary Art 101 classes designed to strengthen your connection to the Modern and broaden your knowledge of modern and contemporary art and architecture.
Each hour-long class will be hosted Wednesday evenings of selected months in Café Modern from 6 to 7 pm. A cash bar will be available. You are encouraged to bring friends. To make reservations, e-mail email@example.com or call 817.840.2115.
Take advantage of working from the model with artists Christian Fagerlund and Jamison LeBlanc in this life drawing class exploring the works of Ron Mueck and figures in the permanent collection
Thursdays, March 8-April 12; 6-9 pm
A docent-led, twenty-minute tour of the galleries is available at 6:30 pm. Admission to the galleries is $10, $4 for students and seniors, free for Modern members. On First Friday, gallery admission is free for Star-Telegram Press Pass Holders
Saturday, April 7, 9:30 am to 5 pm
Docents are available to lead tours of the Modern’s building, designed by the renowned architect Tadao Ando. Group tours can accommodate 10 to 60 people and last approximately one hour; these tours must be scheduled at least two weeks in advance of the requested date. A public architecture tour is offered on the first Saturday of each month at 11 am.
Bradford’s figures are all generically human yet singular in their execution, as if they tripped out of the brush and landed in unpredictable ways. As a fulcrum to build and drive her storylines, she uses the goofy little things that paint and accidental shapes can do. And hidden in her cavalier brushwork are wise and focused decisions.
Michael Frank Blair, “Katherine Bradford at the Modern Art Museum of Fort Worth,” Glasstire, December 9, 2017