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Films
Sep 07, 2014

A pair of 60-something ex-brothers-in-law sets off on a road trip through Iceland, hoping to reclaim their youth. Their picaresque adventures, from trendy Reykjavík to rugged outback, are a throwback to classic bawdy road comedies as well as a candid exploration of aging, loneliness, and friendship.

96 minutes; R

Films
Sep 07, 2014

A pair of 60-something ex-brothers-in-law sets off on a road trip through Iceland, hoping to reclaim their youth. Their picaresque adventures, from trendy Reykjavík to rugged outback, are a throwback to classic bawdy road comedies as well as a candid exploration of aging, loneliness, and friendship.

96 minutes; R

Films
Sep 07, 2014

A pair of 60-something ex-brothers-in-law sets off on a road trip through Iceland, hoping to reclaim their youth. Their picaresque adventures, from trendy Reykjavík to rugged outback, are a throwback to classic bawdy road comedies as well as a candid exploration of aging, loneliness, and friendship.

96 minutes; R

Films
Sep 12, 2014

“Director Ira Sachs (Keep the Lights On) humanizes a hot-button social issue but, more importantly, turns this autumnal love story into something heartfelt and, ultimately, tragic. Bring tissues. Lots of them.” David Fear, Rolling Stone. After Ben (John Lithgow) and George (Alfred Molina ) get married, George is fired from his teaching post, forcing them to stay with friends separately while they sell their place and look for cheaper housing—a situation that weighs heavily on all involved

98 minutes; R

Films
Sep 12, 2014

“Director Ira Sachs (Keep the Lights On) humanizes a hot-button social issue but, more importantly, turns this autumnal love story into something heartfelt and, ultimately, tragic. Bring tissues. Lots of them.” David Fear, Rolling Stone. After Ben (John Lithgow) and George (Alfred Molina ) get married, George is fired from his teaching post, forcing them to stay with friends separately while they sell their place and look for cheaper housing—a situation that weighs heavily on all involved

98 minutes; R

Films
Sep 13, 2014

“Director Ira Sachs (Keep the Lights On) humanizes a hot-button social issue but, more importantly, turns this autumnal love story into something heartfelt and, ultimately, tragic. Bring tissues. Lots of them.” David Fear, Rolling Stone. After Ben (John Lithgow) and George (Alfred Molina ) get married, George is fired from his teaching post, forcing them to stay with friends separately while they sell their place and look for cheaper housing—a situation that weighs heavily on all involved

98 minutes; R

Films
Sep 14, 2014

“Director Ira Sachs (Keep the Lights On) humanizes a hot-button social issue but, more importantly, turns this autumnal love story into something heartfelt and, ultimately, tragic. Bring tissues. Lots of them.” David Fear, Rolling Stone. After Ben (John Lithgow) and George (Alfred Molina ) get married, George is fired from his teaching post, forcing them to stay with friends separately while they sell their place and look for cheaper housing—a situation that weighs heavily on all involved

98 minutes; R

Films
Sep 14, 2014

“Director Ira Sachs (Keep the Lights On) humanizes a hot-button social issue but, more importantly, turns this autumnal love story into something heartfelt and, ultimately, tragic. Bring tissues. Lots of them.” David Fear, Rolling Stone. After Ben (John Lithgow) and George (Alfred Molina ) get married, George is fired from his teaching post, forcing them to stay with friends separately while they sell their place and look for cheaper housing—a situation that weighs heavily on all involved

98 minutes; R

Films
Sep 14, 2014

“Director Ira Sachs (Keep the Lights On) humanizes a hot-button social issue but, more importantly, turns this autumnal love story into something heartfelt and, ultimately, tragic. Bring tissues. Lots of them.” David Fear, Rolling Stone. After Ben (John Lithgow) and George (Alfred Molina ) get married, George is fired from his teaching post, forcing them to stay with friends separately while they sell their place and look for cheaper housing—a situation that weighs heavily on all involved

98 minutes; R

Exhibition
Sep 21, 2014 - Jan 04, 2015

The Modern Art Museum of Fort Worth presents URBAN THEATER: NEW YORK ART IN THE 1980s. Vibrant, vital, and discordant, the New York art scene of the 1980s gave rise to some of the contemporary art world’s most recognizable features. As the artists who emerged in that decade now set records at auction, the era is ripe to be reexamined. Representing in turns a cool irony, reflections on media culture, consumerism, cartoons, and street art, the work collected here re-creates the tense energy of a grittier New York.

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