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Studio Programs
Jun 16, 2017

9 am-noon

This camp is led by two artists, and campers rotate between two classrooms of studio instruction. A snack is provided each day.

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Tour
Jun 16, 2017

The aim of the Slow Art movement is to break with the often frenetic pace of modern life to simply enjoy works of art in a deliberate and unhurried fashion. Slow Art at the Modern invests in this pause with a 30-minute spotlight tour focusing on one work of art. Led by a Modern docent the third Friday of each month, Slow Art at the Modern begins at 5:30 pm.

Third Fridays, 5:30 pm

Jun 16, 2017

“Jean-Pierre Léaud clearly knows something about living in a kind of box, and he plays Louis as a tired but majestic wreck. He’s riveting, and a little alarming.” Glenn Kenny, The New York Times. Upon returning from a hunting expedition, King Louis XIV feels a sharp pain in his leg and soon begins to die, surrounded by loyal followers in the royal chambers.

Jun 16, 2017

“Jean-Pierre Léaud clearly knows something about living in a kind of box, and he plays Louis as a tired but majestic wreck. He’s riveting, and a little alarming.” Glenn Kenny, The New York Times. Upon returning from a hunting expedition, King Louis XIV feels a sharp pain in his leg and soon begins to die, surrounded by loyal followers in the royal chambers.

Jun 17, 2017

Director Del Shores, 2017, USA, 109 minutes
Starring: Caroline Rhea, Whoopi Goldberg, Bonnie Bedevil, Leslie Jordan
Writer/director Del Shores and actor/producer Emerson Collins in attendance for this Fort Worth Premiere.

SORDID LIVES, the cult hit phenomenon by Del Shores, returns with a SEQUEL!

Jun 17, 2017

“Jean-Pierre Léaud clearly knows something about living in a kind of box, and he plays Louis as a tired but majestic wreck. He’s riveting, and a little alarming.” Glenn Kenny, The New York Times. Upon returning from a hunting expedition, King Louis XIV feels a sharp pain in his leg and soon begins to die, surrounded by loyal followers in the royal chambers.

Jun 18, 2017

“Jean-Pierre Léaud clearly knows something about living in a kind of box, and he plays Louis as a tired but majestic wreck. He’s riveting, and a little alarming.” Glenn Kenny, The New York Times. Upon returning from a hunting expedition, King Louis XIV feels a sharp pain in his leg and soon begins to die, surrounded by loyal followers in the royal chambers.

Jun 18, 2017

“Jean-Pierre Léaud clearly knows something about living in a kind of box, and he plays Louis as a tired but majestic wreck. He’s riveting, and a little alarming.” Glenn Kenny, The New York Times. Upon returning from a hunting expedition, King Louis XIV feels a sharp pain in his leg and soon begins to die, surrounded by loyal followers in the royal chambers.

Jun 18, 2017

“Jean-Pierre Léaud clearly knows something about living in a kind of box, and he plays Louis as a tired but majestic wreck. He’s riveting, and a little alarming.” Glenn Kenny, The New York Times. Upon returning from a hunting expedition, King Louis XIV feels a sharp pain in his leg and soon begins to die, surrounded by loyal followers in the royal chambers.

Jun 20, 2017

Kings of the Road, Wim Wenders, 1976, 2 hrs. 55 mins.

Wim Wenders' Kings of the Road is a film of great depth and beauty, and its black and white photography is worthy of comparison with John Ford's. But it is rarely played commercially, maybe because of its three-hour length. Three hours, yes, but that's not a moment too long. Wenders needs the time to pace the developing relationship between his two main characters. Robert Ebert, March 15, 1978

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