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Studio Programs
Jun 16, 2017

9 am-noon

This camp is led by two artists, and campers rotate between two classrooms of studio instruction. A snack is provided each day.

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Tour
Jun 16, 2017

The aim of the Slow Art movement is to break with the often frenetic pace of modern life to simply enjoy works of art in a deliberate and unhurried fashion. Slow Art at the Modern invests in this pause with a 30-minute spotlight tour focusing on one work of art. Led by a Modern docent the third Friday of each month, Slow Art at the Modern begins at 5:30 pm.

Third Fridays, 5:30 pm

Jun 16, 2017

“Jean-Pierre Léaud clearly knows something about living in a kind of box, and he plays Louis as a tired but majestic wreck. He’s riveting, and a little alarming.” Glenn Kenny, The New York Times. Upon returning from a hunting expedition, King Louis XIV feels a sharp pain in his leg and soon begins to die, surrounded by loyal followers in the royal chambers.

Jun 16, 2017

“Jean-Pierre Léaud clearly knows something about living in a kind of box, and he plays Louis as a tired but majestic wreck. He’s riveting, and a little alarming.” Glenn Kenny, The New York Times. Upon returning from a hunting expedition, King Louis XIV feels a sharp pain in his leg and soon begins to die, surrounded by loyal followers in the royal chambers.

Jun 17, 2017

“Jean-Pierre Léaud clearly knows something about living in a kind of box, and he plays Louis as a tired but majestic wreck. He’s riveting, and a little alarming.” Glenn Kenny, The New York Times. Upon returning from a hunting expedition, King Louis XIV feels a sharp pain in his leg and soon begins to die, surrounded by loyal followers in the royal chambers.

Jun 18, 2017

“Jean-Pierre Léaud clearly knows something about living in a kind of box, and he plays Louis as a tired but majestic wreck. He’s riveting, and a little alarming.” Glenn Kenny, The New York Times. Upon returning from a hunting expedition, King Louis XIV feels a sharp pain in his leg and soon begins to die, surrounded by loyal followers in the royal chambers.

Jun 18, 2017

“Jean-Pierre Léaud clearly knows something about living in a kind of box, and he plays Louis as a tired but majestic wreck. He’s riveting, and a little alarming.” Glenn Kenny, The New York Times. Upon returning from a hunting expedition, King Louis XIV feels a sharp pain in his leg and soon begins to die, surrounded by loyal followers in the royal chambers.

Jun 18, 2017

“Jean-Pierre Léaud clearly knows something about living in a kind of box, and he plays Louis as a tired but majestic wreck. He’s riveting, and a little alarming.” Glenn Kenny, The New York Times. Upon returning from a hunting expedition, King Louis XIV feels a sharp pain in his leg and soon begins to die, surrounded by loyal followers in the royal chambers.

Gallery Program
Jun 20, 2017

In this special program designed for people within the Deaf community, participants experience works of art at the Modern through intimate conversation with specially-trained docents and student-ASL interpreters. Offered the fourth Tuesday of each month, with limited space for participants at 10 am, each program lasts 90 minutes and includes a gallery activity. Please make reservations at least a week in advance by calling 817.840.2118. This free program includes admission to the galleries and all materials.

Jun 21, 2017

Lucian Msamati (LutherGame of Thrones, NT Live: The Comedy of Errors) plays Salieri in Peter Shaffer’s iconic play, broadcast live from the National Theatre, and with live orchestral accompaniment by Southbank Sinfonia. Wolfgang Amadeus Mozart, a rowdy young prodigy, arrives in Vienna, the music capital of the world – and he’s determined to make a splash. Awestruck by his genius, court composer Antonio Salieri has the power to promote his talent or destroy his name.

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