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Jan 20, 2018

“An exceedingly clever, thought-provoking and dark reflection on life, death and family relations.” Kate Taylor, Globe and Mail.

Award-winning director Michael Haneke returns with a drama about an affluent French family living in a bourgeois bubble in northern France, oblivious to the human misery unfolding in migrant camps around the port town of Calais, a few miles from their home.

Jan 21, 2018

“An exceedingly clever, thought-provoking and dark reflection on life, death and family relations.” Kate Taylor, Globe and Mail.

Award-winning director Michael Haneke returns with a drama about an affluent French family living in a bourgeois bubble in northern France, oblivious to the human misery unfolding in migrant camps around the port town of Calais, a few miles from their home.

Jan 21, 2018

“An exceedingly clever, thought-provoking and dark reflection on life, death and family relations.” Kate Taylor, Globe and Mail.

Award-winning director Michael Haneke returns with a drama about an affluent French family living in a bourgeois bubble in northern France, oblivious to the human misery unfolding in migrant camps around the port town of Calais, a few miles from their home.

Jan 21, 2018

“An exceedingly clever, thought-provoking and dark reflection on life, death and family relations.” Kate Taylor, Globe and Mail.

Award-winning director Michael Haneke returns with a drama about an affluent French family living in a bourgeois bubble in northern France, oblivious to the human misery unfolding in migrant camps around the port town of Calais, a few miles from their home.

Gallery Program
Jan 23, 2018

In this special program designed for people within the Deaf community, participants experience works of art at the Modern through intimate conversation with specially-trained docents and student-ASL interpreters. Offered the fourth Tuesday of each month, with limited space for participants at 10 am, each program lasts 90 minutes and includes a gallery activity. Please make reservations at least a week in advance by calling 817.840.2118. This free program includes admission to the galleries and all materials.

Jan 24, 2018

New York, 1971. There’s a party on the stage of the Weismann Theatre. Tomorrow the iconic building will be demolished. Thirty years after their final performance, the Follies girls gather to have a few drinks, sing a few songs and lie about themselves. Directed by Dominic Cooke, this legendary musical features a cast of 37 and an orchestra of 21, staged for the first time at the National Theatre.

Jan 24, 2018

New York, 1971. There’s a party on the stage of the Weismann Theatre. Tomorrow the iconic building will be demolished. Thirty years after their final performance, the Follies girls gather to have a few drinks, sing a few songs and lie about themselves. Directed by Dominic Cooke, this legendary musical features a cast of 37 and an orchestra of 21, staged for the first time at the National Theatre.

Jan 27, 2018 - Mar 18, 2018

Nina Chanel Abney's paintings are visually frenetic, reflecting the fast-paced energy of life today. Her imagery refers to such diverse subjects as pop culture, world events, and art history in compositions with flattened, simplified forms. Abney's works commonly incorporate snippets of text, disembodied figures and silhouettes, and geometric abstract shapes. Themes that relate to American society, including celebrity culture, race, sexuality, and police brutality, are broached in her paintings.

Jan 27, 2018

New York, 1971. There’s a party on the stage of the Weismann Theatre. Tomorrow the iconic building will be demolished. Thirty years after their final performance, the Follies girls gather to have a few drinks, sing a few songs and lie about themselves. Directed by Dominic Cooke, this legendary musical features a cast of 37 and an orchestra of 21, staged for the first time at the National Theatre.

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