Filtering By

All X X
Jan 24, 2018

New York, 1971. There’s a party on the stage of the Weismann Theatre. Tomorrow the iconic building will be demolished. Thirty years after their final performance, the Follies girls gather to have a few drinks, sing a few songs and lie about themselves. Directed by Dominic Cooke, this legendary musical features a cast of 37 and an orchestra of 21, staged for the first time at the National Theatre.

Jan 27, 2018 - Mar 18, 2018

Nina Chanel Abney's paintings are visually frenetic, reflecting the fast-paced energy of life today. Her imagery refers to such diverse subjects as pop culture, world events, and art history in compositions with flattened, simplified forms. Abney's works commonly incorporate snippets of text, disembodied figures and silhouettes, and geometric abstract shapes. Themes that relate to American society, including celebrity culture, race, sexuality, and police brutality, are broached in her paintings.

Jan 27, 2018

New York, 1971. There’s a party on the stage of the Weismann Theatre. Tomorrow the iconic building will be demolished. Thirty years after their final performance, the Follies girls gather to have a few drinks, sing a few songs and lie about themselves. Directed by Dominic Cooke, this legendary musical features a cast of 37 and an orchestra of 21, staged for the first time at the National Theatre.

Tour
Feb 02, 2018

A docent-led, twenty-minute tour of the galleries is available at 6:30 pm. Admission to the galleries is $10, $4 for students and seniors, free for Modern members. On First Friday, gallery admission is free for Star-Telegram Press Pass Holders

Member Event
Feb 07, 2018

Open to all Modern members

As a benefit of your Modern membership, you are invited to complimentary Art 101 classes designed to strengthen your connection to the Modern and broaden your knowledge of modern and contemporary art and architecture.
Each hour-long class will be hosted Wednesday evenings of selected months in Café Modern from 6 to 7 pm. A cash bar will be available. You are encouraged to bring friends. To make reservations, e-mail membership@themodern.org or call 817.840.2115.

Feb 16, 2018 - May 06, 2018

In 2007, the Modern Art Museum of Fort Worth hosted Ron Mueck, featuring the artist's figures that are extraordinarily realistic, except in scale - they are always depicted much smaller or larger than life. The exhibition broke attendance records for the Museum as Mueck's stunning works became a must-see for visitors from across the region. Now a decade later, Ron Mueck returns to the Modern from February 16 to May 6, 2018, for a special project showcasing seven major sculptures created between 2008 and 2018, including a new piece debuting in Fort Worth.

Tour
Feb 16, 2018

The aim of the Slow Art movement is to break with the often frenetic pace of modern life to simply enjoy works of art in a deliberate and unhurried fashion. Slow Art at the Modern invests in this pause with a 30-minute spotlight tour focusing on one work of art. Led by a Modern docent the third Friday of each month, Slow Art at the Modern begins at 5:30 pm.

Third Fridays, 5:30 pm

Gallery Program
Feb 27, 2018

In this special program designed for people within the Deaf community, participants experience works of art at the Modern through intimate conversation with specially-trained docents and student-ASL interpreters. Offered the fourth Tuesday of each month, with limited space for participants at 10 am, each program lasts 90 minutes and includes a gallery activity. Please make reservations at least a week in advance by calling 817.840.2118. This free program includes admission to the galleries and all materials.

Mar 31, 2018 - Jun 17, 2018
Spanning painting, sculpture, collage, and installation, Kamrooz Aram's work investigates the complex relationship between Western modernism and classical non-Western art. By highlighting their formal connections, he reveals the typically downplayed role that non-Western art and design have played in the development of modernism and its drive toward abstraction. Challenging the traditionally Euro-centric narrative established by art history, Aram's work sets forth to disrupt this perceived hierarchy by merging and equalizing Western and non-Western forms.

Pages