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Lecture
Sep 26, 2017

Margee Kerr is a fear junkie. Roller coasters, haunted houses, heights, abandoned prisons, ghosts (well, maybe), even death—she confronts them with the relentlessness of a zombie Terminator. . . . Kerr goes deep into the biological and scientific definitions of fear, rather than dismissing the experience solely as an emotion. . . . “Every organism, from the fruit fly to the human, has a defense or threat response,” she reminds.

Lecture
Oct 03, 2017

"Exuberance is beauty," William Blake said, and Luca Dellaverson's show is nothing if not exuberant. This 28-year-old artist has energy, ideas, ambition, and desire, along with an admirable sense of respect of art world elders and history. His paintings abound with references to literary, artistic, and pop culture figures ranging from Robert Graves, Cady Noland and David Hammons to Jurassic Park references. . . .

Lecture
Oct 10, 2017

My interest in horror is in its evolution and how it served as a salve or catalyst for society to deal with the fear of others. I’m not really interested in slasher films. A lot of my focus is on individuals who in the end are human. Margaret Meehan, “Q+A with Margaret Meehan,” by Rebecca Marino, Conflict of Interest, February 14, 2017

Lecture
Oct 24, 2017

A founding Principal of Kennedy & Violich Architecture Ltd. (KVA), Kennedy has been designated as one of Fast Company’s Masters of Design, described as an “insightful and original thinker who is designing new ways of working, learning, leading and innovating.” MITei news release

Lecture
Nov 07, 2017

Generally I think my work is the research I do. Minerva Cuevas, “Bridging Borders: Minerva Cuevas,” Extended Play, Art21, March 24, 2017

Lecture
Nov 14, 2017

This captivating installation by Hubbard & Birchler, which supports an impossible dialogue between an elderly son and his young mother, is an impressive example of how “rephrasing” and “rewriting” histories can carry an emotional impact. Claire Walsh, “Notes from Venice,” MAP, August 4, 2017