The Modern maintains one of the foremost collections of modern and contemporary international art in the central United States. Various movements, themes, and styles are represented, including Abstract Expressionism, Color Field painting, Pop art, and Minimalism, as well as aspects of New Image Painting from the 1970s and beyond, recent developments in abstraction and figurative sculpture, and contemporary movements in photography, video, and digital imagery.
The Modern's second Director's Council FOCUS exhibition for the 2014-2015 season features the work of the Chinese/Japanese collaborative team RongRong&inri.
The Modern Art Museum of Fort Worth presents FRAMING DESIRE, an exhibition showcasing over 40 recent acquisitions alongside iconic photographs and videos from the permanent collection. The Museum has acquired key works by Cory Arcangel, Artemio, Larry Clark, Philip-Lorca diCorcia, Rineke Dijkstra, Debbie Grossman, Candida Höfer, Misty Keasler, Ragnar Kjartansson, Vera Lutter, Robert Mapplethorpe, Gordon Matta-Clark, Ryan McGinley, Nicholas Nixon, Catherine Opie, Orit Raff, Laurie Simmons, Allison V. Smith, Arne Svenson, Frank Thiel, and Gillian Wearing.
Mexico City–based artist Mario García Torres creates cinematic narratives that explore obscure histories and personalities associated with conceptual art of the 1960s and 1970s. He presents his projects in a variety of media, including video, installation, photography, and sculpture, and he often uses antiquated technology, such as 16-mm film and slide projections, to parallel the era he is revisiting. For each work, García Torres researches evidence and myths related to relatively unknown events from the larger, more well-known moments of that specific period in art history.
The Modern Art Museum of Fort Worth presents Kehinde Wiley: A New Republic, an overview highlighting the range of the artist's prolific 14-year career and comprising approximately 60 works. The exhibition begins with early examples of paintings inspired by Wiley’s observations of street life in Harlem; these images of African-American men mark the onset of his focused exploration of the male figure.