Morris Louis is best known for his "stain" paintings, which he made by pouring a mixture of paint and turpentine directly onto unsized and unstretched canvases that he would then tilt and manipulate to create abstract shapes and fields of color. From 1954 to 1959 he used the stain method to create his Veil series, which marked the beginning of his mature style. By 1960 Louis’s Veil series was complete, and his style began to change. He still poured paint onto canvases that were loosely tacked to their stretchers, which he maneuvered to make his colors run; but instead of...
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Morris Louis, Dalet KafMorris Louis
Dalet Kaf, 1959
Acrylic resin (Magna) on canvas
100 5/8 x 143 inches
Acquired in 1986
Collection of the Modern Art Museum of Fort Worth, Museum purchase made possible by a grant from The Burnett Foundation
Image copyright: © 1959 Morris Louis
Rights & Reproductions
Dalet Kaf, 1959
Acrylic resin (Magna) on canvas
100 5/8 x 143 inches
Acquired in 1986
Collection of the Modern Art Museum of Fort Worth, Museum purchase made possible by a grant from The Burnett Foundation
Image copyright: © 1959 Morris Louis
Rights & Reproductions
1959
Morris Louis
Morris Louis
American, 1912-1962
Acrylic resin (Magna) on canvas
100 5/8 x 143 inches
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Morris Louis, Beta MuMorris Louis
Beta Mu, 1961
Acrylic resin (Magna) on canvas
102 x 170 1/8 x 1 1/2 inches
Collection of the Modern Art Museum of Fort Worth. Museum purchase, The Benjamin J. Tillar Memorial Trust
Image copyright: © 1961 Morris Louis
Rights & Reproductions
Beta Mu, 1961
Acrylic resin (Magna) on canvas
102 x 170 1/8 x 1 1/2 inches
Collection of the Modern Art Museum of Fort Worth. Museum purchase, The Benjamin J. Tillar Memorial Trust
Image copyright: © 1961 Morris Louis
Rights & Reproductions
1961
Morris Louis
Morris Louis
American, 1912-1962
Acrylic resin (Magna) on canvas
102 x 170 1/8 x 1 1/2 inches
Morris Louis is best known for his “stain” paintings, which he made by pouring a mixture of paint and turpentine directly onto unsized and unstretched canvases that he would then tilt and manipulate to create abstract shapes and fields of color. From 1954 to 1959 he used the stain method to create his Veil series, which marked the beginning of his mature style. By 1960 Louis’s Veil series was complete, and his style began to change. He still poured paint onto canvases that were loosely tacked to their stretchers, which he maneuvered to make his colors run; but instead of...
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