“A great film. Ramin Bahrani [is] the best new American director of recent years . . . and Dennis Quaid gives one of the performances of a lifetime.” Roger Ebert, Chicago Sun-Times. A farming family’s business is threatened by an unexpected crisis, further testing the relationship between a father and his rebellious son.
105 minutes; R for sexual content, including a strong graphic image, and for language
At Any Price
“A great film. Ramin Bahrani [is] the best new American director of recent years . . . and Dennis Quaid gives one of the performances of a lifetime.” Roger Ebert, Chicago Sun-Times. A farming family’s business is threatened by an unexpected crisis, further testing the relationship between a father and his rebellious son.
105 minutes; R for sexual content, including a strong graphic image, and for language
“A great film. Ramin Bahrani [is] the best new American director of recent years . . . and Dennis Quaid gives one of the performances of a lifetime.” Roger Ebert, Chicago Sun-Times. A farming family’s business is threatened by an unexpected crisis, further testing the relationship between a father and his rebellious son.
105 minutes; R for sexual content, including a strong graphic image, and for language
“A great film. Ramin Bahrani [is] the best new American director of recent years . . . and Dennis Quaid gives one of the performances of a lifetime.” Roger Ebert, Chicago Sun-Times. A farming family’s business is threatened by an unexpected crisis, further testing the relationship between a father and his rebellious son.
105 minutes; R for sexual content, including a strong graphic image, and for language
“A great film. Ramin Bahrani [is] the best new American director of recent years . . . and Dennis Quaid gives one of the performances of a lifetime.” Roger Ebert, Chicago Sun-Times. A farming family’s business is threatened by an unexpected crisis, further testing the relationship between a father and his rebellious son.
105 minutes; R for sexual content, including a strong graphic image, and for language
“A great film. Ramin Bahrani [is] the best new American director of recent years . . . and Dennis Quaid gives one of the performances of a lifetime.” Roger Ebert, Chicago Sun-Times. A farming family’s business is threatened by an unexpected crisis, further testing the relationship between a father and his rebellious son.
105 minutes; R for sexual content, including a strong graphic image, and for language
In the House
“French director François Ozon’s latest, based on Juan Mayorga’s play The Boy in the Back Row, is a riveting examination of the serpentine nature of storytelling and of the frequently blurry lines dividing fact and fiction.” David O’Connell, 20/20 Filmsight. A sixteen-year-old boy insinuates himself into the house of a fellow student from his literature class and writes about it in essays for his French teacher.
105 minutes; R; French with English subtitles
“French director François Ozon’s latest, based on Juan Mayorga’s play The Boy in the Back Row, is a riveting examination of the serpentine nature of storytelling and of the frequently blurry lines dividing fact and fiction.” David O’Connell, 20/20 Filmsight. A sixteen-year-old boy insinuates himself into the house of a fellow student from his literature class and writes about it in essays for his French teacher.
105 minutes; R; French with English subtitles
“French director François Ozon’s latest, based on Juan Mayorga’s play The Boy in the Back Row, is a riveting examination of the serpentine nature of storytelling and of the frequently blurry lines dividing fact and fiction.” David O’Connell, 20/20 Filmsight. A sixteen-year-old boy insinuates himself into the house of a fellow student from his literature class and writes about it in essays for his French teacher.
105 minutes; R; French with English subtitles
“French director François Ozon’s latest, based on Juan Mayorga’s play The Boy in the Back Row, is a riveting examination of the serpentine nature of storytelling and of the frequently blurry lines dividing fact and fiction.” David O’Connell, 20/20 Filmsight. A sixteen-year-old boy insinuates himself into the house of a fellow student from his literature class and writes about it in essays for his French teacher.
105 minutes; R; French with English subtitles
“French director François Ozon’s latest, based on Juan Mayorga’s play The Boy in the Back Row, is a riveting examination of the serpentine nature of storytelling and of the frequently blurry lines dividing fact and fiction.” David O’Connell, 20/20 Filmsight. A sixteen-year-old boy insinuates himself into the house of a fellow student from his literature class and writes about it in essays for his French teacher.
105 minutes; R; French with English subtitles
“French director François Ozon’s latest, based on Juan Mayorga’s play The Boy in the Back Row, is a riveting examination of the serpentine nature of storytelling and of the frequently blurry lines dividing fact and fiction.” David O’Connell, 20/20 Filmsight. A sixteen-year-old boy insinuates himself into the house of a fellow student from his literature class and writes about it in essays for his French teacher.
105 minutes; R; French with English subtitles
A Class Apart and The Barber of Birmingham: Foot Soldier of the Civil Rights Movement
Love Is All You Need
Friday 6 and 8:15 pm; Saturday 5 pm; Sunday 11:45 am, 2 pm, and 4:15 pm
Friday 6 and 8:15 pm; Saturday 5 pm; Sunday 11:45 am, 2 pm, and 4:15 pm
Friday 6 and 8:15 pm; Saturday 5 pm; Sunday 11:45 am, 2 pm, and 4:15 pm
Friday 6 and 8:15 pm; Saturday 5 pm; Sunday 11:45 am, 2 pm, and 4:15 pm
Friday 6 and 8:15 pm; Saturday 5 pm; Sunday 11:45 am, 2 pm, and 4:15 pm
Friday 6 and 8:15 pm; Saturday 5 pm; Sunday 11:45 am, 2 pm, and 4:15 pm
Fordson: Faith, Fasting and Football
Fordson: Faith, Fasting and Football — 2011, NR, 92 minutes. This film follows a high school football team from the working-class Detroit suburb of Dearborn, Mich. — home to the largest Arab-American community in the country — as they practice for their big cross-town rivalry game during the last ten days of Ramadan.
Inocente
The Harvest/La Cosecha
God Grew Tired of Us











