Adam Lerner

Feb 28, 2017 - Feb 28, 2017


Why Does Fred Sandback’s Work Make Me Want to Be Ridiculous?

Sandback was willing to risk his sculptures being nothing at all, and so he was able to create works of art that feel relevant to everything. Adam Lerner on Fred Sandback

Alhena Katsof

Rhea Anastas

Mar 21, 2017 - Mar 21, 2017


Being the Opposite

Noah Simblist

Mar 28, 2017 - Mar 28, 2017


Places of a Present Past

Places of a Present Past is filled with an archaeological ethic, metaphorically digging down, both spatially and psychologically in the depths of transnational grief. Noah Simblist, Places of a Present Past

Richard Tuttle

Apr 04, 2017 - Apr 04, 2017


Life is so much more important than art, but then art’s importance comes when it’s a tool for life—when it makes life more available for us.” Richard Tuttle for Art21, Richard Tuttle: Staying Contemporary, episode #237, July 22, 2016

Robert Storr

Apr 18, 2017 - Apr 18, 2017


Many Hats/One Head - The Accidental Curator

Annette Lawrence

Apr 25, 2017 - Apr 25, 2017


The Meantime: Before Digital, After Analogue
No matter what its imagery has been about—autobiography, ancestry, race, all those things that comprise memory and its inexorable corollary, the passage of time—the art of Annette Lawrence has always been, in some respects, a practice, a concerted making of circles, squares, grids, and spirals. Joel Weinstein, “Mixed-media Artist Has a Line on the Ethereal,” Dallas Morning News, May 27, 2000