“A great film. Ramin Bahrani [is] the best new American director of recent years . . . and Dennis Quaid gives one of the performances of a lifetime.” Roger Ebert, Chicago Sun-Times. A farming family’s business is threatened by an unexpected crisis, further testing the relationship between a father and his rebellious son.
105 minutes; R for sexual content, including a strong graphic image, and for language
You are here
Home > Current and Upcoming Performances > Current and Upcoming Performances > Current and Upcoming Performances
“A great film. Ramin Bahrani [is] the best new American director of recent years . . . and Dennis Quaid gives one of the performances of a lifetime.” Roger Ebert, Chicago Sun-Times. A farming family’s business is threatened by an unexpected crisis, further testing the relationship between a father and his rebellious son.
105 minutes; R for sexual content, including a strong graphic image, and for language
“A great film. Ramin Bahrani [is] the best new American director of recent years . . . and Dennis Quaid gives one of the performances of a lifetime.” Roger Ebert, Chicago Sun-Times. A farming family’s business is threatened by an unexpected crisis, further testing the relationship between a father and his rebellious son.
105 minutes; R for sexual content, including a strong graphic image, and for language
“A great film. Ramin Bahrani [is] the best new American director of recent years . . . and Dennis Quaid gives one of the performances of a lifetime.” Roger Ebert, Chicago Sun-Times. A farming family’s business is threatened by an unexpected crisis, further testing the relationship between a father and his rebellious son.
105 minutes; R for sexual content, including a strong graphic image, and for language
“French director François Ozon’s latest, based on Juan Mayorga’s play The Boy in the Back Row, is a riveting examination of the serpentine nature of storytelling and of the frequently blurry lines dividing fact and fiction.” David O’Connell, 20/20 Filmsight. A sixteen-year-old boy insinuates himself into the house of a fellow student from his literature class and writes about it in essays for his French teacher.
105 minutes; R; French with English subtitles
“French director François Ozon’s latest, based on Juan Mayorga’s play The Boy in the Back Row, is a riveting examination of the serpentine nature of storytelling and of the frequently blurry lines dividing fact and fiction.” David O’Connell, 20/20 Filmsight. A sixteen-year-old boy insinuates himself into the house of a fellow student from his literature class and writes about it in essays for his French teacher.
105 minutes; R; French with English subtitles
“French director François Ozon’s latest, based on Juan Mayorga’s play The Boy in the Back Row, is a riveting examination of the serpentine nature of storytelling and of the frequently blurry lines dividing fact and fiction.” David O’Connell, 20/20 Filmsight. A sixteen-year-old boy insinuates himself into the house of a fellow student from his literature class and writes about it in essays for his French teacher.
105 minutes; R; French with English subtitles
“French director François Ozon’s latest, based on Juan Mayorga’s play The Boy in the Back Row, is a riveting examination of the serpentine nature of storytelling and of the frequently blurry lines dividing fact and fiction.” David O’Connell, 20/20 Filmsight. A sixteen-year-old boy insinuates himself into the house of a fellow student from his literature class and writes about it in essays for his French teacher.
105 minutes; R; French with English subtitles
“French director François Ozon’s latest, based on Juan Mayorga’s play The Boy in the Back Row, is a riveting examination of the serpentine nature of storytelling and of the frequently blurry lines dividing fact and fiction.” David O’Connell, 20/20 Filmsight. A sixteen-year-old boy insinuates himself into the house of a fellow student from his literature class and writes about it in essays for his French teacher.
105 minutes; R; French with English subtitles
“French director François Ozon’s latest, based on Juan Mayorga’s play The Boy in the Back Row, is a riveting examination of the serpentine nature of storytelling and of the frequently blurry lines dividing fact and fiction.” David O’Connell, 20/20 Filmsight. A sixteen-year-old boy insinuates himself into the house of a fellow student from his literature class and writes about it in essays for his French teacher.
105 minutes; R; French with English subtitles











