A High School Perspective

With the works of William Kentridge being packed and crated for the journey to their next destination, I feel fortunate to have spent some quality time...

Viewfinder: Kiefer times three

William Kentridge: Testing the Literature?

Upon my first visit to the "William Kentridge: Five Themes" exhibition, I confess that I was not...

Hurry up and take your time

Hurry up and take your time seeing "William Kentridge: Five Themes". Hurry before it closes on Sunday, September 27 and set aside...

The world becomes flat

Cornelia Parker’s 2005 "Rorschach (Endless Column 1)" captures my attention every time I enter the small chapel gallery on the Modern’s first floor and peer through the opening to my left, into an...

Docent Insights: Judd/Puryear

Listen as docents Kerry Jacobs, Janelle Montgomery, and Bryon Adinoff converse over two works in the permanent collection...

Docent Insights: Texas and the West

In the new series Docent Insights, hear Modern Docents expound upon art at the Museum in short podcasts. In these 5-15 minute podcasts, docents may discuss...

Sean Scully

While working on the Scully project—our director’s upcoming catalogue raisonné of Sean Scully’s paintings—I have found myself returning regularly to the second floor gallery...

Density of Art Revealed in Doses

I have been wading through these books which are the most recent on my "reading list". They are the writings...

Thinking of home...

Rauschenberg’s "Whistle Stop (Spread)", 1977 is still on my mind, but now I’m intrigued by its placement near Mark Bradford’s "Helter Skelter II", 2007...

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