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Jun 30, 2019

A shy film student begins finding her voice as an artist while navigating a turbulent courtship with a charismatic but untrustworthy man. She defies her protective mother and concerned friends as she slips deeper and deeper into an intense, emotionally fraught relationship that comes dangerously close to destroying her dreams.

R; 119 minutes

Magnolia at the Modern is an ongoing series featuring critically acclaimed films. Tickets are $10; $8 for Modern members; $7 for Reel People. The Sunday noon show time is half price. Advance sales begin two hours prior to each show.

Jun 30, 2019

A shy film student begins finding her voice as an artist while navigating a turbulent courtship with a charismatic but untrustworthy man. She defies her protective mother and concerned friends as she slips deeper and deeper into an intense, emotionally fraught relationship that comes dangerously close to destroying her dreams.

R; 119 minutes

Magnolia at the Modern is an ongoing series featuring critically acclaimed films. Tickets are $10; $8 for Modern members; $7 for Reel People. The Sunday noon show time is half price. Advance sales begin two hours prior to each show.

Jun 29, 2019

A shy film student begins finding her voice as an artist while navigating a turbulent courtship with a charismatic but untrustworthy man. She defies her protective mother and concerned friends as she slips deeper and deeper into an intense, emotionally fraught relationship that comes dangerously close to destroying her dreams.

R; 119 minutes

Magnolia at the Modern is an ongoing series featuring critically acclaimed films. Tickets are $10; $8 for Modern members; $7 for Reel People. The Sunday noon show time is half price. Advance sales begin two hours prior to each show.

Jun 29, 2019

Tickets to the film are $20, available for purchase at the door, only.

Jun 29, 2019

Tickets to the film are $20, available for purchase at the door, only.

Jun 29, 2019

Tickets to the film are $20, available for purchase at the door, only.

Jun 28, 2019

A shy film student begins finding her voice as an artist while navigating a turbulent courtship with a charismatic but untrustworthy man. She defies her protective mother and concerned friends as she slips deeper and deeper into an intense, emotionally fraught relationship that comes dangerously close to destroying her dreams.

R; 119 minutes

Magnolia at the Modern is an ongoing series featuring critically acclaimed films. Tickets are $10; $8 for Modern members; $7 for Reel People. The Sunday noon show time is half price. Advance sales begin two hours prior to each show.

Jun 28, 2019

A shy film student begins finding her voice as an artist while navigating a turbulent courtship with a charismatic but untrustworthy man. She defies her protective mother and concerned friends as she slips deeper and deeper into an intense, emotionally fraught relationship that comes dangerously close to destroying her dreams.

R; 119 minutes

Magnolia at the Modern is an ongoing series featuring critically acclaimed films. Tickets are $10; $8 for Modern members; $7 for Reel People. The Sunday noon show time is half price. Advance sales begin two hours prior to each show.

Jun 28, 2019

A shy film student begins finding her voice as an artist while navigating a turbulent courtship with a charismatic but untrustworthy man. She defies her protective mother and concerned friends as she slips deeper and deeper into an intense, emotionally fraught relationship that comes dangerously close to destroying her dreams.

R; 119 minutes

Magnolia at the Modern is an ongoing series featuring critically acclaimed films. Tickets are $10; $8 for Modern members; $7 for Reel People. The Sunday noon show time is half price. Advance sales begin two hours prior to each show.

Jun 25, 2019

[Peckinpah] got so wound up in the aesthetics of violence that what had begun as a realistic treatment — a deglamorization of warfare that would show how horribly gruesome killing really is — became instead an almost abstract fantasy about violence. Pauline Kael, New Yorker, April 4, 2016

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