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Jun 22, 2018

“What warmth there is - and it is considerable - radiates from its three lead performers and a script (adapted from Naomi Alderman’s 2006 novel) that treats each of the central characters as neither hero nor villain.” Mark Jenkins, Washington Post.

Jun 22, 2018

“What warmth there is - and it is considerable - radiates from its three lead performers and a script (adapted from Naomi Alderman’s 2006 novel) that treats each of the central characters as neither hero nor villain.” Mark Jenkins, Washington Post.

Jun 22, 2018

“What warmth there is - and it is considerable - radiates from its three lead performers and a script (adapted from Naomi Alderman’s 2006 novel) that treats each of the central characters as neither hero nor villain.” Mark Jenkins, Washington Post.

Jun 21, 2018 - Jun 21, 2018

Montreal's Helena Deland writes songs that are a testimony of a given time or place, converting her memories to something that sounds, in a word, unforgettable. A myriad of influences filter in and out of her writing, from '60's Parisian pop to indie folk to fuzz rock. She describes her songwriting as a collection of 'unsent letters,' perhaps fueling her self coined genre, 'sincere pop.' Helena captures the unapologetic aspects of womanhood the world needs today, highlighting powerful femininity in her vocals and refined writing in her unique lyrical choices. 

Jun 19, 2018

Evangelion: 3.0 You Can (Not) Redo, 2012
Mahiro Maeda, Masayuki, Kazuya Tsurumaki, Hideaki Anno
96 minutes, Japanese with English subtitles

Jun 17, 2018

“Denis’s foray into the often-goofy world of the rom-com is at once a cold bath of realism and a bewitching portrait of the power of love — however fleeting that feeling may be.” David Sims,
The Atlantic

Jun 17, 2018

“Denis’s foray into the often-goofy world of the rom-com is at once a cold bath of realism and a bewitching portrait of the power of love — however fleeting that feeling may be.” David Sims,
The Atlantic

Jun 17, 2018

“Denis’s foray into the often-goofy world of the rom-com is at once a cold bath of realism and a bewitching portrait of the power of love — however fleeting that feeling may be.” David Sims,
The Atlantic

Jun 16, 2018

“Denis’s foray into the often-goofy world of the rom-com is at once a cold bath of realism and a bewitching portrait of the power of love — however fleeting that feeling may be.” David Sims,
The Atlantic

Jun 15, 2018

“Denis’s foray into the often-goofy world of the rom-com is at once a cold bath of realism and a bewitching portrait of the power of love — however fleeting that feeling may be.” David Sims,
The Atlantic

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