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Aug 26, 2017

“Deneuve is a force of nature, open and undone, working in the open-a-vein honesty of Gena Rowlands in A Woman under the Influence or Gloria.” Thelma Adams, New York Observer.

Two of French cinema's biggest stars shine in this bittersweet drama about the unlikely friendship between a talented but tightly wound midwife (Catherine Frot) and her late father’s free-spirited mistress (Catherine Deneuve).

Aug 25, 2017

“Deneuve is a force of nature, open and undone, working in the open-a-vein honesty of Gena Rowlands in A Woman under the Influence or Gloria.” Thelma Adams, New York Observer.

Two of French cinema's biggest stars shine in this bittersweet drama about the unlikely friendship between a talented but tightly wound midwife (Catherine Frot) and her late father’s free-spirited mistress (Catherine Deneuve).

Aug 25, 2017

“Deneuve is a force of nature, open and undone, working in the open-a-vein honesty of Gena Rowlands in A Woman under the Influence or Gloria.” Thelma Adams, New York Observer.

Two of French cinema's biggest stars shine in this bittersweet drama about the unlikely friendship between a talented but tightly wound midwife (Catherine Frot) and her late father’s free-spirited mistress (Catherine Deneuve).

Aug 25, 2017

“Deneuve is a force of nature, open and undone, working in the open-a-vein honesty of Gena Rowlands in A Woman under the Influence or Gloria.” Thelma Adams, New York Observer.

Two of French cinema's biggest stars shine in this bittersweet drama about the unlikely friendship between a talented but tightly wound midwife (Catherine Frot) and her late father’s free-spirited mistress (Catherine Deneuve).

Aug 21, 2017 - Dec 08, 2017

The Modern maintains one of the foremost collections of modern and contemporary international art in the central United States. Various movements, themes, and styles are represented, including Abstract Expressionism, Color Field painting, Pop art, and Minimalism, as well as aspects of New Image Painting from the 1970s and beyond, recent developments in abstraction and figurative sculpture, and contemporary movements in photography, video, and digital imagery.

Aug 20, 2017

The B-Side: Elsa Dorfman’s Portrait Photography 
(And The Umbrella Man)

“[An] enjoyable but also profound movie.” Glenn Kenny, New York Times.

Aug 20, 2017

The B-Side: Elsa Dorfman’s Portrait Photography 
(And The Umbrella Man)

“[An] enjoyable but also profound movie.” Glenn Kenny, New York Times.

Aug 20, 2017

The B-Side: Elsa Dorfman’s Portrait Photography 
(And The Umbrella Man)

“[An] enjoyable but also profound movie.” Glenn Kenny, New York Times.

Aug 19, 2017

The B-Side: Elsa Dorfman’s Portrait Photography 
(And The Umbrella Man)

“[An] enjoyable but also profound movie.” Glenn Kenny, New York Times.

Aug 19, 2017

The story has been told before, but never like this. An occupied desert nation. A radical from the wilderness on hunger strike. A girl whose mysterious dance will change the course of the world.
This charged retelling turns the infamous biblical tale on its head, placing the girl we call Salomé at the centre of a revolution.

Please note: Salomé contains nudity, and the characters depict and make reference to sexual violence.

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