Thirteen themed haunted houses across America make up the imagery for Misty Keasler’s Haunt, 2015–2017. A driving force behind this series, which depicts interior rooms and exterior scenes, is that the subject matter takes photography to the edge of where it fails as a medium. “Photographs,” Keasler explains, “are often used to document an experience, yet the experience of walking through a haunted house is completely lost in each of the still images.
Katherine Bradford is known for her vibrant palette and eccentric compositions. Often built up over months and sometimes years, Bradford’s paintings are textured, semi-transparent coats of acrylic paint, with hints of pentimenti exposed in the finished surface. Her recent works revisit several of her favored motifs, such as ships and swimmers—traditional and enduring subjects seen throughout art history. Bradford’s canvases, however, are more ominous, and often improbable in comparison to the relative calm of James McNeill Whistler’s paintings or Paul Cézanne’s portraits of bathers.
The incredible Billie Piper (Penny Dreadful, Great Britain) returns in her award-winning role. A young woman is driven to the unthinkable by her desperate desire to have a child in Simon Stone’s radical production of Lorca’s achingly powerful masterpiece.
Friday 3:45 pm, 6 pm, and 8:15 pm; Saturday 5 pm; Sunday 11:45 am, 2 pm, and 4:15 pm
“Who could ever imagine that a film about nuns struggling to come to terms with the Second Vatican Council (aka Vatican II) might be sexy? But that’s exactly what Novitiate is, as well as being stylish, impressively performed and intellectually ambitious as it explores convent life in the early 1960s.” Leslie Felperin, Hollywood Reporter.