Mar 31, 2018 - Jun 17, 2018
Spanning painting, sculpture, collage, and installation, Kamrooz Aram's work investigates the complex relationship between Western modernism and classical non-Western art. By highlighting their formal connections, he reveals the typically downplayed role that non-Western art and design have played in the development of modernism and its drive toward abstraction. Challenging the traditionally Euro-centric narrative established by art history, Aram's work sets forth to disrupt this perceived hierarchy by merging and equalizing Western and non-Western forms.
May 27, 2018

“Sweet and plummy as a jam tart, Richard Loncraine's gentle late-life romcom rightly counts on its classy cast to get by.” Guy Lodge, Variety.

On the eve of retirement, a middle-class, judgmental snob (Imelda Staunton) discovers her husband has been having an affair with her best friend and is forced into exile with her bohemian sister (Celia Imrie).

PG-13; 109 minutes

May 27, 2018

“Sweet and plummy as a jam tart, Richard Loncraine's gentle late-life romcom rightly counts on its classy cast to get by.” Guy Lodge, Variety.

On the eve of retirement, a middle-class, judgmental snob (Imelda Staunton) discovers her husband has been having an affair with her best friend and is forced into exile with her bohemian sister (Celia Imrie).

PG-13; 109 minutes

May 27, 2018

“Sweet and plummy as a jam tart, Richard Loncraine's gentle late-life romcom rightly counts on its classy cast to get by.” Guy Lodge, Variety.

On the eve of retirement, a middle-class, judgmental snob (Imelda Staunton) discovers her husband has been having an affair with her best friend and is forced into exile with her bohemian sister (Celia Imrie).

PG-13; 109 minutes