The Modern maintains one of the foremost collections of modern and contemporary international art in the central United States. Various movements, themes, and styles are represented, including Abstract Expressionism, Color Field painting, Pop art, and Minimalism, as well as aspects of New Image Painting from the 1970s and beyond, recent developments in abstraction and figurative sculpture, and contemporary movements in photography, video, and digital imagery.
The photographs of Ghent-based Dirk Braeckman (b. 1958, Eeklo, Belgium) have a distinct stillness and quietude that counter the whirl of today’s visual landscape. Images of empty, unidentifiable interiors, architectural details, oceans, and partially obscured nude figures are just some examples of the artist’s subject matter. Braeckman’s deeply gray photographs are often abstracted, contributing to the mystery and intrigue of what his images convey while adding a sense of distance to the intimate interiors and views he depicts.
This exhibition gathers work by artists who address concepts of space and place. Drawn entirely from the Modern’s permanent collection, the exhibition includes paintings, photographs, drawings, and videos by artists from the United States, Europe, Asia, and Mexico. The categories of space and place are broadly conceived, encompassing nature, the city, environment, geography, and atmosphere, as well as landscapes of the imagination.
In this special program designed for people within the Deaf community, participants experience works of art at the Modern through intimate conversation with specially-trained docents and student-ASL interpreters. Offered the fourth Tuesday of each month, with limited space for participants at 10 am, each program lasts 90 minutes and includes a gallery activity. Please make reservations at least a week in advance by calling 817.840.2118.
Integrating conceptual depth with a poetic formal sensibility, innovative technical processes and wry wit, Saban’s latest body of work examines the transition and contrasts between analog and digital worlds. Tanya Bonakdar Gallery, Analia Saban: Punched Card, September 6–October 18, 2018