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The Big Drawing Class
Apr 06, 2012

A new take on a classic theme, this class will explore drawing in relation to the Modern’s exhibitions for the spring 2012 season. Drawing is cornerstone foundation for most artists. Whether a sketch, a notation, or a refined mark in a journal, all artists use drawing in various ways to work through ideas. This class explores drawing through the FOCUS exhibitions featuring KAWS, Katie Paterson, Ged Quinn, and the special exhibition, Glenn Ligon: AMERICA. The Big Drawing Class spans 13 weeks, with three different artists leading classes over the course of the semester.

Apr 11, 2012

Hardcastle, a man of substance, looks forward to acquainting his daughter with his old pal’s son with a view to marriage. But thanks to playboy Lumpkin, he’s mistaken by his prospective son-in-law, Marlow, for an innkeeper, his daughter for the local barmaid. The good news is, while Marlow can barely speak to a woman of quality he’s a charmer with those of a different stamp. And so, as Hardcastle’s indignation intensifies, Miss Hardcastle’s appreciation for her misguided suitor soars. Misdemeanors multiply, love blossoms, mayhem ensues.

Apr 11, 2012

Hardcastle, a man of substance, looks forward to acquainting his daughter with his old pal’s son with a view to marriage. But thanks to playboy Lumpkin, he’s mistaken by his prospective son-in-law, Marlow, for an innkeeper, his daughter for the local barmaid. The good news is, while Marlow can barely speak to a woman of quality he’s a charmer with those of a different stamp. And so, as Hardcastle’s indignation intensifies, Miss Hardcastle’s appreciation for her misguided suitor soars. Misdemeanors multiply, love blossoms, mayhem ensues.

The Big Drawing Class
Apr 13, 2012

A new take on a classic theme, this class will explore drawing in relation to the Modern’s exhibitions for the spring 2012 season. Drawing is cornerstone foundation for most artists. Whether a sketch, a notation, or a refined mark in a journal, all artists use drawing in various ways to work through ideas. This class explores drawing through the FOCUS exhibitions featuring KAWS, Katie Paterson, Ged Quinn, and the special exhibition, Glenn Ligon: AMERICA. The Big Drawing Class spans 13 weeks, with three different artists leading classes over the course of the semester.

Apr 14, 2012

$15, free for Modern members
Tickets will be sold at the door. For advance tickets call 817.738.9215 or visit the Modern’s admission desk. 

The Modern Art Museum of Fort Worth is proud to announce the eighth Modern 'til Midnight on Saturday, April 14. An eclectic array of live music will be featured during the Modern's extended, late-night hours. In addition, guests will have the opportunity to enjoy unique gallery activities, films, prize drawings from the Modern Shop, and exceptional cuisine from Café Modern.

Apr 18, 2012

Featuring pianist Christian Jacob

For tickets, click here.

1.866.499.ARTS (1.866.499.2787)

Apr 19, 2012

Featuring pianist Christian Jacob

For tickets, click here.

1.866.499.ARTS (1.866.499.2787)

The Big Drawing Class
Apr 20, 2012

A new take on a classic theme, this class will explore drawing in relation to the Modern’s exhibitions for the spring 2012 season. Drawing is cornerstone foundation for most artists. Whether a sketch, a notation, or a refined mark in a journal, all artists use drawing in various ways to work through ideas. This class explores drawing through the FOCUS exhibitions featuring KAWS, Katie Paterson, Ged Quinn, and the special exhibition, Glenn Ligon: AMERICA. The Big Drawing Class spans 13 weeks, with three different artists leading classes over the course of the semester.

Magnolia at the Modern
Apr 20, 2012

"It's a thriller that feels like a documentary." -- Michael O'Sullivan, Washington Post

A carefree teenager's world is suddenly upended in this powerful and richly textured second feature from Joshua Marston that focuses on an Albanian family caught up in a blood feud.

109 minutes; Albanian, with English subtitles

Magnolia at the Modern
Apr 20, 2012

"It's a thriller that feels like a documentary." -- Michael O'Sullivan, Washington Post

A carefree teenager's world is suddenly upended in this powerful and richly textured second feature from Joshua Marston that focuses on an Albanian family caught up in a blood feud.

109 minutes; Albanian, with English subtitles

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