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Cafe Modern
May 10, 2015

Mother's Day Brunch Specials
(in addition to regular menu)

Garden Vegetable Quiche                                          $11.50
Spring Veggies, La Cocina Cheese and Creamy Egg Custard in a Flaky Pastry Cup. Served with a Petite Salad of Mixed Greens and Toasted Seeds.

May 03, 2015

Docent-led tours in Spanish are offered at 2 pm on the first Sunday of each month, when gallery admission is free. These tours are open to the public and do not require prior arrangements.
Docents are also available to conduct private tours in Spanish, French, German, Mandarin, and American Sign Language when reservations are made at least two weeks in advance.

There will not be a Spanish Tour on June 7.

May 02, 2015

Docents are available to lead tours of the Modern’s building, designed by the renowned architect Tadao Ando. Group tours can accommodate 10 to 60 people and last approximately one hour; these tours must be scheduled at least two weeks in advance of the requested date. A public architecture tour is offered on the first Saturday of each month at 11 am.

First Fridays at the Modern
May 01, 2015

A docent-led, twenty-minute tour of the galleries is available at 6:30 pm. Admission to the galleries is $10, $4 for students and seniors, free for Modern members. On First Friday, gallery admission is free for Star-Telegram Press Pass Holders.

Apr 28, 2015

In this special program designed for people with hearing loss, participants experience works of art at the Modern through intimate conversation with specially-trained docents and student-ASL interpreters. Offered the fourth Tuesday of each month, with limited space for participants at 10 am, each program lasts 90 minutes and includes a gallery activity. Please make reservations at least a week in advance by calling 817.840.2118. This free program includes admission to the galleries and all materials.

Fourth Tuesdays, 10 am

Apr 28, 2015

In this special program designed for people with hearing loss, participants experience works of art at the Modern through intimate conversation with specially-trained docents and student-ASL interpreters. Offered the fourth Tuesday of each month, with limited space for participants at 10 am, each program lasts 90 minutes and includes a gallery activity. Please make reservations at least a week in advance by calling 817.840.2118. This free program includes admission to the galleries and all materials.

Fourth Tuesdays, 10 am

Tuesday Evenings at the Modern
Apr 21, 2015

April 21Laurie Simmons is a New York–based artist and filmmaker renowned since the mid-1970s for her psychologically and formally profound work. Her iconic, large-scale, black-and-white photograph Walking House, 1989, was recently acquired by the Modern and is featured in the current exhibition Framing Desire: Photography and Video.

Chamber Music Society of Fort Worth
Apr 18, 2015

Like the rarity of throwing a pair of sixes in a game of dice, this concert provides a rare opportunity to hear two major string sextets: “Souvenir de Florence” by Tchaikovsky and “String Sextet Concert in B-flat Major” by Brahms. The artists comprising the sextet include violinists Alexander Kerr and Felix Olschofka, violists Michael Klotz and Misha Galaganov, and cellists Edward Arron and Dmitry Kouzov.

Apr 17, 2015

The aim of the Slow Art movement is to break with the often frenetic pace of modern life to simply enjoy works of art in a deliberate and unhurried fashion. Slow Art at the Modern invests in this pause with a 30-minute spotlight tour focusing on one work of art. Led by a Modern docent the third Friday of each month, Slow Art at the Modern begins at 5:30 pm.

Third Fridays, 5:30 pm

Tuesday Evenings at the Modern
Apr 14, 2015

April 14Sina Najafi is editor-in-chief of Cabinet magazine, editorial director of Cabinet Books, and, together with Jeffrey Kastner, commissioning editor of the essays for the 2013 Venice Biennale catalogue. Najafi has curated or co-curated a number of exhibitions and projects, including “Odd Lots: Revisiting Gordon Matta-Clark’s Fake Estates” at White Columns and the Queens Museum of Art in New York in 2005, which is the subject of this Tuesday Evenings presentation.

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