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Tuesday Evenings at the Modern
Mar 03, 2015

March 3Jonathan Schipper is a New York–based artist known for large-scale, self-destructing works. Perhaps best known for Slow Inevitable Death of American Muscle, the imperceptibly slow crashing together of two full-sized automobiles over a period of six days that simulates a head-on collision, Schipper is a keen critic of our fast-paced, heedless existence. His methodical deconstruction, and sometimes reconstruction, of daily experience brings our otherwise oblivious existence into sharp focus.

Mar 01, 2015

Docent-led tours in Spanish are offered at 2 pm on the first Sunday of each month, when gallery admission is free. These tours are open to the public and do not require prior arrangements.
Docents are also available to conduct private tours in Spanish, French, German, Mandarin, and American Sign Language when reservations are made at least two weeks in advance.

There will not be a Spanish Tour on June 7.

Feb 24, 2015

In this special program designed for people with hearing loss, participants experience works of art at the Modern through intimate conversation with specially-trained docents and student-ASL interpreters. Offered the fourth Tuesday of each month, with limited space for participants at 10 am, each program lasts 90 minutes and includes a gallery activity. Please make reservations at least a week in advance by calling 817.840.2118. This free program includes admission to the galleries and all materials.

Fourth Tuesdays, 10 am

Feb 24, 2015

In this special program designed for people with hearing loss, participants experience works of art at the Modern through intimate conversation with specially-trained docents and student-ASL interpreters. Offered the fourth Tuesday of each month, with limited space for participants at 10 am, each program lasts 90 minutes and includes a gallery activity. Please make reservations at least a week in advance by calling 817.840.2118. This free program includes admission to the galleries and all materials.

Fourth Tuesdays, 10 am

Feb 22, 2015

Sunday, February 22; noon-4 pm

Chamber Music Society of Fort Worth
Feb 21, 2015

Jaume Torrent, guitar; Joseph Gold, violin; Gary Levinson, violin; Susan Dubois, viola; Claudio Bohórquez, cello

Of the energetic leadership of artistic director Gary Levinson, critic Gregory Isaacs said, “The newly revitalized Chamber Music Society of Fort Worth is fast becoming one of the handful of must-attend concert series for classical music buffs.” For more information or tickets, please call 817.877.3003 or visit www.chambermusicFW.org.

Feb 20, 2015

The aim of the Slow Art movement is to break with the often frenetic pace of modern life to simply enjoy works of art in a deliberate and unhurried fashion. Slow Art at the Modern invests in this pause with a 30-minute spotlight tour focusing on one work of art. Led by a Modern docent the third Friday of each month, Slow Art at the Modern begins at 5:30 pm.

Third Fridays, 5:30 pm

Tuesday Evenings at the Modern
Feb 17, 2015

February 17Janet Zweig, a New York–based artist working primarily in the public realm, and Dan Maginn, FAIA, a Principal with el dorado inc in Kansas City, have occasionally collaborated with each other on public art projects. “Public art” has the challenging call to thoughtfully engage while broadly appealing to a varied audience. Zweig and Maginn recognize and embrace this challenge.

Feb 07, 2015

Docents are available to lead tours of the Modern’s building, designed by the renowned architect Tadao Ando. Group tours can accommodate 10 to 60 people and last approximately one hour; these tours must be scheduled at least two weeks in advance of the requested date. A public architecture tour is offered on the first Saturday of each month at 11 am.

First Fridays at the Modern
Feb 06, 2015

A docent-led, twenty-minute tour of the galleries is available at 6:30 pm. Admission to the galleries is $10, $4 for students and seniors, free for Modern members. On First Friday, gallery admission is free for Star-Telegram Press Pass Holders.

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