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exhibition X X
Sep 23, 2017 - Nov 26, 2017

Thirteen themed haunted houses across America make up the imagery for Misty Keasler’s Haunt, 2015–2017. A driving force behind this series, which depicts interior rooms and exterior scenes, is that the subject matter takes photography to the edge of where it fails as a medium.  “Photographs,” Keasler explains, “are often used to document an experience, yet the experience of walking through a haunted house is completely lost in each of the still images.

Aug 21, 2017 - Dec 08, 2017

The Modern maintains one of the foremost collections of modern and contemporary international art in the central United States. Various movements, themes, and styles are represented, including Abstract Expressionism, Color Field painting, Pop art, and Minimalism, as well as aspects of New Image Painting from the 1970s and beyond, recent developments in abstraction and figurative sculpture, and contemporary movements in photography, video, and digital imagery.

May 28, 2017 - Aug 20, 2017

Doug Aitken: Electric Earth is the first survey to comprehensively examine Aitken’s experimentations across mediums and disciplines, and it is organized as a full collaboration and dialogue with the artist and his studio.

Apr 08, 2017 - Jul 09, 2017

Katherine Bernhardt’s vibrant and youthful paintings hover between abstraction and figuration. Recently, she has been working on paintings in which she juxtaposes everyday objects, such as those in Windex cigarettes basketball, 2016, that float flatly atop lushly painted, solid grounds of color. Her subjects abound in popular and consumer culture and are depicted in a simplified, flat, gestural style that approaches a cartoonish quality.

Feb 19, 2017 - Apr 23, 2017

Artist Donald Sultan’s career began with his first solo exhibition in 1977 in New York City, when he was just 26 years old, and he rose to prominence in the 1980s. A painter, sculptor, and printmaker, Sultan is regarded for his ongoing large-scale painted still lifes featuring structural renderings of fruit, flowers, and other everyday objects, often abstracted and set against a rich, black background; but he is also noted for his significant industrial landscape series that began in the early 1980s entitled the Disaster Paintings, on which the artist worked for nearly a decade.

Jan 21, 2017 - Apr 02, 2017

Stanley Whitney investigates the intricate possibilities of color and form in the realm of abstract painting. Since the mid-1970s, Whitney has been known for his multicolored, irregular grids on square canvases. Taking the essentialist grid of minimalism as his cue, his configurations are loose, uneven geometric lattices comprised of vibrant stacked color blocks that vary in hue, shape, and the handling of the paint. Whitney also utilizes color as subject, and his paintings often refer to literature, music, places, and other artists, connections that are bolstered in his titles.

Nov 19, 2016 - Jan 15, 2017

Since the beginning of her career in the mid-1980s, Lorna Simpson has become known for her conceptual photographs and videos that question the nature of representation, and challenge historical and preconceived views of racial and sexual identity. Rooted in her longstanding interest in photography and photographic collage, Simpson’s recent paintings incorporate found imagery, often taken from AP photographs and vintage magazines, which the artist overpaints and divides across several panels.

Apr 30, 2016 - Jul 17, 2016

Demand's photographs merge truthful documentation and unsettling artifice - two polarities raised by photography since its inception. For more than two decades, Demand has built intricate, life-size, three-dimensional models made wholly out of colored construction paper and cardboard that faithfully replicate specific architectural spaces and natural settings. He photographs the ephemeral structure and destroys it once the image is made.

Apr 17, 2016 - Sep 18, 2016
 
A joint exhibition of the work of Frank Stella presented by the Modern Art Museum of Fort Worth and the Whitney Museum of American Art; on view at the Modern from April 17 through September 18, 2016. Previously on view at the Whitney Museum of American Art, this exhibition will travel to the de Young Museum, San Francisco, on view November 5, 2016, through February 26, 2017.
 

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