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Oct 15, 2016

“Wide awake to the wonder, terror, and giddy confusion of being a 14-year-old adolescent in 1970s Australia—or anywhere at any time, for that matter—Rosemary MyersGirl Asleep is a strange, savvy, big-hearted teen adventure that feels perfectly pitched to its target audience as well as those of all ages in search of something unquestionably unique.” Steve Cockerell, Variety.  

Oct 14, 2016

“Wide awake to the wonder, terror, and giddy confusion of being a 14-year-old adolescent in 1970s Australia—or anywhere at any time, for that matter—Rosemary MyersGirl Asleep is a strange, savvy, big-hearted teen adventure that feels perfectly pitched to its target audience as well as those of all ages in search of something unquestionably unique.” Steve Cockerell, Variety.  

Oct 14, 2016

“Wide awake to the wonder, terror, and giddy confusion of being a 14-year-old adolescent in 1970s Australia—or anywhere at any time, for that matter—Rosemary MyersGirl Asleep is a strange, savvy, big-hearted teen adventure that feels perfectly pitched to its target audience as well as those of all ages in search of something unquestionably unique.” Steve Cockerell, Variety.  

Oct 13, 2016

For Once In  My Life — NR, 2010, 90 minutes. This documentary is about The Spirit of Goodwill Band and their journey to show the world the greatness within each of them. The 28 band members have a wide range of mental and physical disabilities, as well as musical abilities that extend into ranges of pure genius. In a cinema vérite style, the film explores the band’s struggles and triumphs, shatters preconceived notions and reminds us of the healing power of music.

Oct 12, 2016

Director / Co-Writer and Texan Greg Kwedar makes his feature film directorial debut with Transpecos. Winner of the Audience Award for Best Narrative Feature Film at the 2015 SXSW Film Festival, TRANSPECOS focuses on three Border Patrol agents working a remote desert checkpoint where the contents of one car will reveal an insidious plot within their own ranks

Oct 09, 2016

An aged pianist (Jerry Lewis) learns that his recently deceased wife (Claire Bloom) may have cheated on him in the early years of their marriage.

86 minutes; NR

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Magnolia at the Modern is an ongoing series featuring critically acclaimed films. Tickets are $9; $7 for Modern members; $6 for Reel People. The Sunday noon show time is half price. Advance sales begin two hours prior to each show.
Oct 09, 2016

An aged pianist (Jerry Lewis) learns that his recently deceased wife (Claire Bloom) may have cheated on him in the early years of their marriage.

86 minutes; NR

--
Magnolia at the Modern is an ongoing series featuring critically acclaimed films. Tickets are $9; $7 for Modern members; $6 for Reel People. The Sunday noon show time is half price. Advance sales begin two hours prior to each show.
Oct 09, 2016

An aged pianist (Jerry Lewis) learns that his recently deceased wife (Claire Bloom) may have cheated on him in the early years of their marriage.

86 minutes; NR

--
Magnolia at the Modern is an ongoing series featuring critically acclaimed films. Tickets are $9; $7 for Modern members; $6 for Reel People. The Sunday noon show time is half price. Advance sales begin two hours prior to each show.
Oct 08, 2016

An aged pianist (Jerry Lewis) learns that his recently deceased wife (Claire Bloom) may have cheated on him in the early years of their marriage.

86 minutes; NR

--
Magnolia at the Modern is an ongoing series featuring critically acclaimed films. Tickets are $9; $7 for Modern members; $6 for Reel People. The Sunday noon show time is half price. Advance sales begin two hours prior to each show.
Oct 07, 2016

An aged pianist (Jerry Lewis) learns that his recently deceased wife (Claire Bloom) may have cheated on him in the early years of their marriage.

86 minutes; NR

--
Magnolia at the Modern is an ongoing series featuring critically acclaimed films. Tickets are $9; $7 for Modern members; $6 for Reel People. The Sunday noon show time is half price. Advance sales begin two hours prior to each show.

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