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Jun 02, 2017

“I'm thrilled to say that it's an absolute drop-dead masterwork.” Richard Brody, The New Yorker.

Tour
Jun 02, 2017

A docent-led, twenty-minute tour of the galleries is available at 6:30 pm. Admission to the galleries is $10, $4 for students and seniors, free for Modern members. On First Friday, gallery admission is free for Star-Telegram Press Pass Holders

Jun 02, 2017

“I'm thrilled to say that it's an absolute drop-dead masterwork.” Richard Brody, The New Yorker.

Tour
Jun 03, 2017

Docents are available to lead tours of the Modern’s building, designed by the renowned architect Tadao Ando. Group tours can accommodate 10 to 60 people and last approximately one hour; these tours must be scheduled at least two weeks in advance of the requested date. A public architecture tour is offered on the first Saturday of each month at 11 am.

Jun 03, 2017

Hedda and Tesman have just returned from their honeymoon and the relationship is already in trouble. Trapped but determined, Hedda tries to control those around her, only to see her own world unravel. Tony Award-winning director Ivo van Hove (A View from the Bridge at the Young Vic Theatre) returns to National Theatre Live screens with a modern production of Ibsen’s masterpiece. Ruth Wilson (LutherThe AffairJane Eyre) plays the title role in a new version by Patrick Marber (Notes on a ScandalCloser).

Jun 03, 2017

“I'm thrilled to say that it's an absolute drop-dead masterwork.” Richard Brody, The New Yorker.

Jun 04, 2017

“I'm thrilled to say that it's an absolute drop-dead masterwork.” Richard Brody, The New Yorker.

Jun 04, 2017

“I'm thrilled to say that it's an absolute drop-dead masterwork.” Richard Brody, The New Yorker.

Jun 04, 2017

“I'm thrilled to say that it's an absolute drop-dead masterwork.” Richard Brody, The New Yorker.

Jun 09, 2017

“A soft, slim, albeit charming tale, filled with food, flowers, and good wines.” Fionnuala Halligan, Screen International.

When her director husband (Alec Baldwin) is occupied with work in Paris, an American woman (Diane Lane) takes a jaunt with his business associate, a charming Frenchman who is happy to squire her on a tour of some of the finest meals in Provence. Paris Can Wait is the first feature directed by Eleanor Coppola, wife of Francis Ford Coppola.
NR, 92 minutes

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