A Quiet Passion

Jun 02, 2017 - Jun 04, 2017

“I'm thrilled to say that it's an absolute drop-dead masterwork.” Richard Brody, The New Yorker.

Jun 02, 2017 - Jun 04, 2017

“I'm thrilled to say that it's an absolute drop-dead masterwork.” Richard Brody, The New Yorker.

Jun 02, 2017 - Jun 04, 2017

“I'm thrilled to say that it's an absolute drop-dead masterwork.” Richard Brody, The New Yorker.

Jun 02, 2017 - Jun 04, 2017

“I'm thrilled to say that it's an absolute drop-dead masterwork.” Richard Brody, The New Yorker.

Jun 02, 2017 - Jun 04, 2017

“I'm thrilled to say that it's an absolute drop-dead masterwork.” Richard Brody, The New Yorker.

Jun 02, 2017 - Jun 04, 2017

“I'm thrilled to say that it's an absolute drop-dead masterwork.” Richard Brody, The New Yorker.

Paris Can Wait

Jun 09, 2017 - Jun 11, 2017

“A soft, slim, albeit charming tale, filled with food, flowers, and good wines.” Fionnuala Halligan, Screen International.

When her director husband (Alec Baldwin) is occupied with work in Paris, an American woman (Diane Lane) takes a jaunt with his business associate, a charming Frenchman who is happy to squire her on a tour of some of the finest meals in Provence. Paris Can Wait is the first feature directed by Eleanor Coppola, wife of Francis Ford Coppola.
NR, 92 minutes

Jun 09, 2017 - Jun 11, 2017

“A soft, slim, albeit charming tale, filled with food, flowers, and good wines.” Fionnuala Halligan, Screen International.

When her director husband (Alec Baldwin) is occupied with work in Paris, an American woman (Diane Lane) takes a jaunt with his business associate, a charming Frenchman who is happy to squire her on a tour of some of the finest meals in Provence. Paris Can Wait is the first feature directed by Eleanor Coppola, wife of Francis Ford Coppola.
NR, 92 minutes

Jun 09, 2017 - Jun 11, 2017

“A soft, slim, albeit charming tale, filled with food, flowers, and good wines.” Fionnuala Halligan, Screen International.

When her director husband (Alec Baldwin) is occupied with work in Paris, an American woman (Diane Lane) takes a jaunt with his business associate, a charming Frenchman who is happy to squire her on a tour of some of the finest meals in Provence. Paris Can Wait is the first feature directed by Eleanor Coppola, wife of Francis Ford Coppola.
NR, 92 minutes

Jun 09, 2017 - Jun 11, 2017

“A soft, slim, albeit charming tale, filled with food, flowers, and good wines.” Fionnuala Halligan, Screen International.

When her director husband (Alec Baldwin) is occupied with work in Paris, an American woman (Diane Lane) takes a jaunt with his business associate, a charming Frenchman who is happy to squire her on a tour of some of the finest meals in Provence. Paris Can Wait is the first feature directed by Eleanor Coppola, wife of Francis Ford Coppola.
NR, 92 minutes

Jun 09, 2017 - Jun 11, 2017

“A soft, slim, albeit charming tale, filled with food, flowers, and good wines.” Fionnuala Halligan, Screen International.

When her director husband (Alec Baldwin) is occupied with work in Paris, an American woman (Diane Lane) takes a jaunt with his business associate, a charming Frenchman who is happy to squire her on a tour of some of the finest meals in Provence. Paris Can Wait is the first feature directed by Eleanor Coppola, wife of Francis Ford Coppola.
NR, 92 minutes

Jun 09, 2017 - Jun 11, 2017

“A soft, slim, albeit charming tale, filled with food, flowers, and good wines.” Fionnuala Halligan, Screen International.

When her director husband (Alec Baldwin) is occupied with work in Paris, an American woman (Diane Lane) takes a jaunt with his business associate, a charming Frenchman who is happy to squire her on a tour of some of the finest meals in Provence. Paris Can Wait is the first feature directed by Eleanor Coppola, wife of Francis Ford Coppola.
NR, 92 minutes

The Death of Louis XIV

Jun 16, 2017 - Jun 18, 2017

“Jean-Pierre Léaud clearly knows something about living in a kind of box, and he plays Louis as a tired but majestic wreck. He’s riveting, and a little alarming.” Glenn Kenny, The New York Times. Upon returning from a hunting expedition, King Louis XIV feels a sharp pain in his leg and soon begins to die, surrounded by loyal followers in the royal chambers.

Jun 16, 2017 - Jun 18, 2017

“Jean-Pierre Léaud clearly knows something about living in a kind of box, and he plays Louis as a tired but majestic wreck. He’s riveting, and a little alarming.” Glenn Kenny, The New York Times. Upon returning from a hunting expedition, King Louis XIV feels a sharp pain in his leg and soon begins to die, surrounded by loyal followers in the royal chambers.

Jun 16, 2017 - Jun 18, 2017

“Jean-Pierre Léaud clearly knows something about living in a kind of box, and he plays Louis as a tired but majestic wreck. He’s riveting, and a little alarming.” Glenn Kenny, The New York Times. Upon returning from a hunting expedition, King Louis XIV feels a sharp pain in his leg and soon begins to die, surrounded by loyal followers in the royal chambers.

Jun 16, 2017 - Jun 18, 2017

“Jean-Pierre Léaud clearly knows something about living in a kind of box, and he plays Louis as a tired but majestic wreck. He’s riveting, and a little alarming.” Glenn Kenny, The New York Times. Upon returning from a hunting expedition, King Louis XIV feels a sharp pain in his leg and soon begins to die, surrounded by loyal followers in the royal chambers.

Jun 16, 2017 - Jun 18, 2017

“Jean-Pierre Léaud clearly knows something about living in a kind of box, and he plays Louis as a tired but majestic wreck. He’s riveting, and a little alarming.” Glenn Kenny, The New York Times. Upon returning from a hunting expedition, King Louis XIV feels a sharp pain in his leg and soon begins to die, surrounded by loyal followers in the royal chambers.

Jun 16, 2017 - Jun 18, 2017

“Jean-Pierre Léaud clearly knows something about living in a kind of box, and he plays Louis as a tired but majestic wreck. He’s riveting, and a little alarming.” Glenn Kenny, The New York Times. Upon returning from a hunting expedition, King Louis XIV feels a sharp pain in his leg and soon begins to die, surrounded by loyal followers in the royal chambers.

Manifesto

Jun 23, 2017 - Jun 25, 2017

Cate Blanchett stars as 13 different characters in this semi-experimental take on artistic manifestos directed by Julian Rosefeldt.
95 minutes

Magnolia at the Modern is an ongoing series featuring critically acclaimed films. Tickets are $9; $7 for Modern members; $6 for Reel People. The Sunday noon show time is half price. Advance sales begin two hours prior to each show.

Jun 23, 2017 - Jun 25, 2017

Cate Blanchett stars as 13 different characters in this semi-experimental take on artistic manifestos directed by Julian Rosefeldt.
95 minutes

Magnolia at the Modern is an ongoing series featuring critically acclaimed films. Tickets are $9; $7 for Modern members; $6 for Reel People. The Sunday noon show time is half price. Advance sales begin two hours prior to each show.

Jun 23, 2017 - Jun 25, 2017

Cate Blanchett stars as 13 different characters in this semi-experimental take on artistic manifestos directed by Julian Rosefeldt.
95 minutes

Magnolia at the Modern is an ongoing series featuring critically acclaimed films. Tickets are $9; $7 for Modern members; $6 for Reel People. The Sunday noon show time is half price. Advance sales begin two hours prior to each show.

Jun 23, 2017 - Jun 25, 2017

Cate Blanchett stars as 13 different characters in this semi-experimental take on artistic manifestos directed by Julian Rosefeldt.
95 minutes

Magnolia at the Modern is an ongoing series featuring critically acclaimed films. Tickets are $9; $7 for Modern members; $6 for Reel People. The Sunday noon show time is half price. Advance sales begin two hours prior to each show.

Jun 23, 2017 - Jun 25, 2017

Cate Blanchett stars as 13 different characters in this semi-experimental take on artistic manifestos directed by Julian Rosefeldt.
95 minutes

Magnolia at the Modern is an ongoing series featuring critically acclaimed films. Tickets are $9; $7 for Modern members; $6 for Reel People. The Sunday noon show time is half price. Advance sales begin two hours prior to each show.

Jun 23, 2017 - Jun 25, 2017

Cate Blanchett stars as 13 different characters in this semi-experimental take on artistic manifestos directed by Julian Rosefeldt.
95 minutes

Magnolia at the Modern is an ongoing series featuring critically acclaimed films. Tickets are $9; $7 for Modern members; $6 for Reel People. The Sunday noon show time is half price. Advance sales begin two hours prior to each show.