Friday 6 pm and 8:15 pm; Saturday 5 pm; Sunday 11:45 am, 2 pm and 4:15 pm.
A young Pakistani man chases corporate success on Wall Street. He finds himself embroiled in a conflict between his American dream, a hostage crisis, and the enduring call of his family's homeland.
130 minutes; R
Friday 6 pm and 8:15 pm; Saturday 5 pm; Sunday 11:45 am, 2 pm and 4:15 pm.
A young Pakistani man chases corporate success on Wall Street. He finds himself embroiled in a conflict between his American dream, a hostage crisis, and the enduring call of his family's homeland.
130 minutes; R
Friday 6 pm and 8:15 pm; Saturday 5 pm; Sunday 11:45 am, 2 pm and 4:15 pm.
A young Pakistani man chases corporate success on Wall Street. He finds himself embroiled in a conflict between his American dream, a hostage crisis, and the enduring call of his family's homeland.
130 minutes; R
Friday 6 pm and 8:15 pm; Saturday 5 pm; Sunday 11:45 am, 2 pm and 4:15 pm.
A young Pakistani man chases corporate success on Wall Street. He finds himself embroiled in a conflict between his American dream, a hostage crisis, and the enduring call of his family's homeland.
130 minutes; R
Friday 6 pm and 8:15 pm; Saturday 5 pm; Sunday 11:45 am, 2 pm and 4:15 pm.
A young Pakistani man chases corporate success on Wall Street. He finds himself embroiled in a conflict between his American dream, a hostage crisis, and the enduring call of his family's homeland.
130 minutes; R
Friday 6 pm and 8:15 pm; Saturday 5 pm; Sunday 11:45 am, 2 pm and 4:15 pm.
A young Pakistani man chases corporate success on Wall Street. He finds himself embroiled in a conflict between his American dream, a hostage crisis, and the enduring call of his family's homeland.
130 minutes; R
Set on the French Riviera in the summer of 1915, Jean Renoir—son of Impressionist painter Pierre-Auguste—returns home to convalesce after being wounded in World War I. At his side is Andrée, a young woman who rejuvenates, enchants, and inspires both father and son.
111 minutes; R; French with English subtitles
Set on the French Riviera in the summer of 1915, Jean Renoir—son of Impressionist painter Pierre-Auguste—returns home to convalesce after being wounded in World War I. At his side is Andrée, a young woman who rejuvenates, enchants, and inspires both father and son.
111 minutes; R; French with English subtitles
Set on the French Riviera in the summer of 1915, Jean Renoir—son of Impressionist painter Pierre-Auguste—returns home to convalesce after being wounded in World War I. At his side is Andrée, a young woman who rejuvenates, enchants, and inspires both father and son.
111 minutes; R; French with English subtitles
Set on the French Riviera in the summer of 1915, Jean Renoir—son of Impressionist painter Pierre-Auguste—returns home to convalesce after being wounded in World War I. At his side is Andrée, a young woman who rejuvenates, enchants, and inspires both father and son.
111 minutes; R; French with English subtitles
Set on the French Riviera in the summer of 1915, Jean Renoir—son of Impressionist painter Pierre-Auguste—returns home to convalesce after being wounded in World War I. At his side is Andrée, a young woman who rejuvenates, enchants, and inspires both father and son.
111 minutes; R; French with English subtitles
Set on the French Riviera in the summer of 1915, Jean Renoir—son of Impressionist painter Pierre-Auguste—returns home to convalesce after being wounded in World War I. At his side is Andrée, a young woman who rejuvenates, enchants, and inspires both father and son.
111 minutes; R; French with English subtitles
“Not just a charming and accomplished first film, Fill the Void qualifies as one of [the Venice Film Festival’s] most exotic competition entries, throwing open a window on the world of an Orthodox Hassidic family in Tel Aviv.” Deborah Young, The Hollywood Reporter. A devout 18-year-old Israeli is pressured to marry the husband of her late sister. Declaring her independence is not an option in Tel Aviv's ultra-Orthodox Hassidic community.
90 minutes; PG; Hebrew with English subtitles
“Not just a charming and accomplished first film, Fill the Void qualifies as one of [the Venice Film Festival’s] most exotic competition entries, throwing open a window on the world of an Orthodox Hassidic family in Tel Aviv.” Deborah Young, The Hollywood Reporter. A devout 18-year-old Israeli is pressured to marry the husband of her late sister. Declaring her independence is not an option in Tel Aviv's ultra-Orthodox Hassidic community.
90 minutes; PG; Hebrew with English subtitles
“Not just a charming and accomplished first film, Fill the Void qualifies as one of [the Venice Film Festival’s] most exotic competition entries, throwing open a window on the world of an Orthodox Hassidic family in Tel Aviv.” Deborah Young, The Hollywood Reporter. A devout 18-year-old Israeli is pressured to marry the husband of her late sister. Declaring her independence is not an option in Tel Aviv's ultra-Orthodox Hassidic community.
90 minutes; PG; Hebrew with English subtitles
“Not just a charming and accomplished first film, Fill the Void qualifies as one of [the Venice Film Festival’s] most exotic competition entries, throwing open a window on the world of an Orthodox Hassidic family in Tel Aviv.” Deborah Young, The Hollywood Reporter. A devout 18-year-old Israeli is pressured to marry the husband of her late sister. Declaring her independence is not an option in Tel Aviv's ultra-Orthodox Hassidic community.
90 minutes; PG; Hebrew with English subtitles
“Not just a charming and accomplished first film, Fill the Void qualifies as one of [the Venice Film Festival’s] most exotic competition entries, throwing open a window on the world of an Orthodox Hassidic family in Tel Aviv.” Deborah Young, The Hollywood Reporter. A devout 18-year-old Israeli is pressured to marry the husband of her late sister. Declaring her independence is not an option in Tel Aviv's ultra-Orthodox Hassidic community.
90 minutes; PG; Hebrew with English subtitles
“Not just a charming and accomplished first film, Fill the Void qualifies as one of [the Venice Film Festival’s] most exotic competition entries, throwing open a window on the world of an Orthodox Hassidic family in Tel Aviv.” Deborah Young, The Hollywood Reporter. A devout 18-year-old Israeli is pressured to marry the husband of her late sister. Declaring her independence is not an option in Tel Aviv's ultra-Orthodox Hassidic community.
90 minutes; PG; Hebrew with English subtitles
“The film is a mystery uncovered like a detective story, wrapped in a love letter.” Joe Neumaier, New York Daily News. In this inspired, genre-twisting new film, Oscar-nominated writer/director Sarah Polley excavates layers of myth and memory to find the elusive truth at the core of a family of storytellers.
108 minutes; PG-13
“The film is a mystery uncovered like a detective story, wrapped in a love letter.” Joe Neumaier, New York Daily News. In this inspired, genre-twisting new film, Oscar-nominated writer/director Sarah Polley excavates layers of myth and memory to find the elusive truth at the core of a family of storytellers.
108 minutes; PG-13
“The film is a mystery uncovered like a detective story, wrapped in a love letter.” Joe Neumaier, New York Daily News. In this inspired, genre-twisting new film, Oscar-nominated writer/director Sarah Polley excavates layers of myth and memory to find the elusive truth at the core of a family of storytellers.
108 minutes; PG-13
“The film is a mystery uncovered like a detective story, wrapped in a love letter.” Joe Neumaier, New York Daily News. In this inspired, genre-twisting new film, Oscar-nominated writer/director Sarah Polley excavates layers of myth and memory to find the elusive truth at the core of a family of storytellers.
108 minutes; PG-13
“The film is a mystery uncovered like a detective story, wrapped in a love letter.” Joe Neumaier, New York Daily News. In this inspired, genre-twisting new film, Oscar-nominated writer/director Sarah Polley excavates layers of myth and memory to find the elusive truth at the core of a family of storytellers.
108 minutes; PG-13
“The film is a mystery uncovered like a detective story, wrapped in a love letter.” Joe Neumaier, New York Daily News. In this inspired, genre-twisting new film, Oscar-nominated writer/director Sarah Polley excavates layers of myth and memory to find the elusive truth at the core of a family of storytellers.
108 minutes; PG-13
“With striking visuals reminiscent of Matisse and Chagall and a refreshingly (for domestic animation audiences) grown-up storyline, The Painting is almost reminiscent of, well, a work of art.” Pete Vonder Haar, The Village Voice.
76 minutes; French with English subtitles
“With striking visuals reminiscent of Matisse and Chagall and a refreshingly (for domestic animation audiences) grown-up storyline, The Painting is almost reminiscent of, well, a work of art.” Pete Vonder Haar, The Village Voice.
76 minutes; French with English subtitles
“With striking visuals reminiscent of Matisse and Chagall and a refreshingly (for domestic animation audiences) grown-up storyline, The Painting is almost reminiscent of, well, a work of art.” Pete Vonder Haar, The Village Voice.
76 minutes; French with English subtitles
“With striking visuals reminiscent of Matisse and Chagall and a refreshingly (for domestic animation audiences) grown-up storyline, The Painting is almost reminiscent of, well, a work of art.” Pete Vonder Haar, The Village Voice.
76 minutes; French with English subtitles
“With striking visuals reminiscent of Matisse and Chagall and a refreshingly (for domestic animation audiences) grown-up storyline, The Painting is almost reminiscent of, well, a work of art.” Pete Vonder Haar, The Village Voice.
76 minutes; French with English subtitles
“With striking visuals reminiscent of Matisse and Chagall and a refreshingly (for domestic animation audiences) grown-up storyline, The Painting is almost reminiscent of, well, a work of art.” Pete Vonder Haar, The Village Voice.
76 minutes; French with English subtitles
