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Directed by Kasi Lemmons, 1997
R; 109 minutes
Pay-what-you-can, tickets available online soon

What did little Eve see—and how will it haunt her? Husband, father, and womanizer Louis Batiste (Samuel L. Jackson) is the head of an affluent family in Louisiana’s Creole community, but it's the women who rule this gothic world of secrets, lies, and mystic forces. Also starring Lisa Nicole Carson, Diahann Carroll, Branford Marsalis, Debbi Morgan, Jurnee Smollett, and Lynn Whitfield.

Directed by Joan Micklin Silver, 1979
PG; 95 minutes
Pay-what-you-can, tickets available online soon

Charles (John Heard) is a bored civil servant struggling through a harsh Utah winter. He spends most of his time reflecting on his romance with Laura (Mary Beth Hurt), a coworker who left him to return to her husband, Jim (Mark Metcalf). This comic drama of obsession and romance is based on Ann Beattie’s novel of the same name.

Directed by Daryl Duke and Curtis Hanson, 1978
R; 106 minutes
Pay-what-you-can, tickets available online soon

A teller in a shopping mall bank branch, Miles Cullen (Elliot Gould) realizes that a man is planning a robbery. When the robbery takes place, Miles diverts most of the money to his own safety deposit box, handing only a small amount over to the crook (Christopher Plummer). Miles’s scheme goes awry when the robber discovers he’s been shorted, with violent consequences.

Directed by Preston A. Whitmore II, 2007
PG-13; 119 minutes
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The Whitfield family reunites for Christmas after four years apart, bringing old tensions, hidden truths, romantic complications, and holiday traditions into one crowded, emotional celebration. The holiday comedy-drama includes performances by Chris Brown, Loretta Devine, Idris Elba, Delroy Lindo, and Regina King.

Directed by Dario Argento, 1975
R; 126 minutes
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Obsessed by a fleeting visual memory, English jazz pianist Marcus Daly (David Hemmings) hunts a savage, black-gloved killer through a labyrinth of nightmarish architectural spaces, promising a hyper-stylized descent into pure auditory and visual terror. A classic of Italian cinema’s giallo genre of psychological mystery-horror films, Deep Red remains a critical and audience favorite.

Short Films & Talk

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Film screening and conversation with James Scott and Gavin Morrison
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