Richard Wentworth has been a leading figure in New British Sculpture since the late 1970s. Celebrated as an art intellectual, Wentworth has long been respected as an artist, writer, teacher, and curator. His work has been featured in significant exhibitions including the 50th Venice Biennale and Global Cities at the Tate Modern. He is also readily recognized for organizing Thinking Aloud, the critically acclaimed exhibition that opened at the Hayward Gallery in 1999 and followed with a national tour. Favoring everyday materials and objects over monumental gestures, Wentworth has transformed expectations and considerations of sculpture, saying in a conversation with the critic Stuart Morgan, “I find cigarette packets folded up under table legs more monumental than a Henry Moore. Five reasons. Firstly the scale. Secondly, the fingertip manipulation. Thirdly, modesty of both gesture and material. Fourth, its absurdity, and fifth, the fact that it works.” In his Tuesday Evenings presentation Walking Through Hedges Backwards, Wentworth presents his photographs, sculptures, and installations, which tease our expectations of art and position us to reconsider the visual world and our perceptions of it.