Submitted by Andrea on April 19, 2012 - 2:02pm
Spell check doesn’t recognize the word “negress” and it wants to capitalize “negro.” There are plenty of words that the program...
Submitted by Andrea on April 17, 2012 - 5:42pm
The three works in FOCUS: Katie Paterson deal with notions of the miniscule and the infinite...
Submitted by Andrea on April 17, 2012 - 5:26pm
A tall, clear pedestal supporting a cube made of glass stands in a small, rectangular gallery on the Museum’s second floor...
Submitted by Andrea on April 17, 2012 - 5:16pm
I grew up in the age of Super Nintendo and Nickelodeon cartoons. Bright colors...
Submitted by Andrea on April 17, 2012 - 5:00pm
Is it not the nature of creativity to be boundless and open-ended, free of restraint? Several of this summer’s educator workshops...
Submitted by admin on September 22, 2011 - 12:45pm
Agnes Martin’s work has recently been reinstalled in one of the smaller galleries on the first floor...
Submitted by admin on September 13, 2011 - 12:20pm
"The level of detail and craft is something that's inscribed within the original design concept. And so when I begin to draw, I know what kind of detailing I want the building to have." -- Tadao Ando
Submitted by admin on August 12, 2011 - 9:20am
Every time I walk past the Modern's Cornwall Summer Circle, 1995, by Richard Long, it reminds me of Stonehenge.
Submitted by admin on August 3, 2011 - 3:09pm
A yellow light bulb, soon to become obsolete, casts a dull glow that faintly washes...
Submitted by admin on April 11, 2011 - 12:33pm
Since Ed Ruscha’s illustrated version of Jack Kerouac’s On the Road is such a key component of the Modern’s exhibition Ed Ruscha: Road Tested, I decided to read the book.
Pages
