Eleanor the Great

Directed by Scarlett Johansson
PG-13; 98 minutes

“There is a complex yet recognisable psychological dynamic at work here, and [June] Squibb navigates the muddle of it nimbly.” —Robbie Collin, Daily Telegraph (UK)

The History of Sound

Directed by Oliver Hermanus
PG; 137 minutes

“Mescal and O’Connor deliver the acting goods . . . A deeply sad movie about thwarted love, The History of Sound is essential viewing.” —Lou Thomas, NME

Lionel (Paul Mescal), a young scholarship student at the New England Conservatory in Boston, meets David (Josh O’Connor), who is playing piano in a local bar. It is 1917, and the two bond over their shared love of folk music. Separated by the First World War, the pair reconnect a few years later, embarking on a song collecting trip in the backwaters of Maine.

Twinless

Directed by James Sweeney
NR; 100 minutes

“[James] Sweeney’s unpredictable movie twists and writhes, while never losing sight of its layered characters’ heartfelt longing.” —Johnny Oleksinski, New York Post

Love, Brooklyn

Directed by Rachael Holder
NR; 97 minutes

“A low-key romantic odyssey that simmers with intimate heat while acting as a loving character study of the beloved, always evolving neighborhood.” —Murtada Elfadl, Variety

A writer (André Holland) navigates complicated relationships with his ex, an art gallery owner (Nicole Beharie), and his current lover, a newly single mother (DeWanda Wise), with the support of his best friend (Roy Wood Jr.). A modern romance set against Brooklyn’s rapidly changing landscape, the film premiered at this year’s Sundance Film Festival.

I Am Love

Directed by Luca Guadagnino, 2009
R; Italian with English subtitles; 120 minutes

“The grand architecture of Milan and the icy rhythms of composer John Adams set the tone for this elegant Italian drama about the suffocating power of family, wealth, and tradition.” —J.R. Jones, Chicago Reader

Directed by Federico Fellini, 1963
NR; Italian with English subtitles; 138 minutes

is the best film ever made about filmmaking.” —Roger Ebert, Chicago Sun-Times