Directed by David Freyne
PG-13; 114 minutes

“It’s all quite clever and sweet, even as a great current of sadness runs under just about every conversation in the film.” —Richard Lawson, The Hollywood Reporter

In an afterlife where souls have one week to decide where to spend eternity, Joan (Elizabeth Olsen) is faced with the impossible choice between the man she spent her life with (Miles Teller) and her first love (Callum Turner), who died young and has waited decades for her to arrive.

Directed by Joachim Trier
R; 133 minutes

"Trier has once again crafted a film that is graceful and limber, thoughtful and surprising.” —Richard Lawson, Vanity Fair

Directed by Jafar Panahi
PG-13; 103 minutes

“All the way through, Panahi delivers on its fireworks promise with a plot that, while deceptively simple, is alive with moral complexity.” —Johnny Oleksinski, New York Post

This screening has been canceled due to inclement weather.

Directed by Arne Glimcher, 1992
R; 105 minutes

“A spirited evocation of the mambo craze which swept post-war America, adapted from Oscar Hijuelos' Pulitzer Prize-winning novel.” —Derek Adams, Time Out

Directed by Federico Fellini, 1954
NR; 108 minutes

“Anthony Quinn as the strong man and Richard Basehart as a derisive rival are excellent. As the girl, Giulietta Masina is extraordinarily touching and gives a performance hard to forget.” —Newsweek

Directed by Klaus Härö, 2022
NR; 103 minutes

“Filled with sage wisdom and vulnerable people struggling to do the best that they can even when they are at their worst. It’s a lovely indie.” —Randy Myers, San Jose Mercury News

Directed by David Lowery, 2018
PG-13; 93 minutes

“The Old Man & the Gun generally feels like the best kind of tribute, one that understands the material so well that it inhabits its very essence.” —Eric Kohn, IndieWire

Directed by John Huston, 1952
NR; 120 minutes

Moulin Rouge stands out as a truly artistic production flawlessly directed by John Huston and presenting superb performances by [José] Ferrer, Colette Marchand, and Suzanne Flon, and Technicolor photography of a beauty rarely achieved on the screen.” —The Hollywood Reporter

Directed by Rob Marshall, 2002
PG-13; 113 minutes

“Not since the 1972 Cabaret has there been a movie musical this stirring, intelligent and exciting.” —Desson Thomson, Washington Post

Directed by Martin Scorsese, 1977
PG; 155 minutes

“New York, New York, like most Martin Scorsese films, is about the trials and glories of making art.” —Chuck Bowen, Slant Magazine