1966
Josef Albers
Oil on fiberboard
30 3/4 x 30 3/4 inches

One of the most immediately recognizable and influential series of paintings produced in the twentieth century is Josef Albers's Homage to the Square. Beginning the series in 1950, at age 62, Albers was to produce more than a thousand Homage paintings and prints, in four different formats.(1) The works became widely known (one appeared on a 1980 United States postage stamp) and influenced two generations of hard edge and Minimalist art.

1951
Josef Albers
Oil on fiberboard
30 3/4 x 30 3/4 inches
Year Acquired: 1980

One of the most immediately recognizable and influential series of paintings produced in the twentieth century is Josef Albers's Homage to the Square. Beginning the series in 1950, at age 62, Albers was to produce more than a thousand Homage paintings and prints, in four different formats.(1) The works became widely known (one appeared on a 1980 United States postage stamp) and influenced two generations of hard edge and Minimalist art.

1967
Josef Albers
Oil on fiberboard
30 3/4 x 30 3/4 inches

One of the most immediately recognizable and influential series of paintings produced in the twentieth century is Josef Albers's Homage to the Square. Beginning the series in 1950, at age 62, Albers was to produce more than a thousand Homage paintings and prints, in four different formats.(1) The works became widely known (one appeared on a 1980 United States postage stamp) and influenced two generations of hard edge and Minimalist art.

2000
Stephan Balkenhol
Painted wood
Four figures, each 65 x 19 x 14 inches
Year Acquired: 2001

In 4 Figures, 2000, Stephan Balkenhol depicts four versions of the same rudimentary but realistically rendered modern Anglo man. Each figure is scaled down, and has an unevenly painted surface—the effect of using a broad paintbrush, which leaves much of the natural wood exposed. 4 Figures is characteristic of Balkenhol's work, visually and in its connections to the German woodcarving tradition and to sculpture's classical past. In this work the artist not only pays homage to the history of sculpture, but also critiques it with humor and irony.

1947
Bill Bomar
Oil on masonite
25.5 x 29 1/2 x 2 inches
Year Acquired: 1947
1950
Cynthia Brants
Oil on canvas, three panels
38 x 24 inches
Year Acquired: 1951
1990-91
Deborah Butterfield
Unique Bronze
80 x 112 x 28 inches
Year Acquired: 1992
1978
Richard Diebenkorn
Oil and charcoal on canvas
100 1/8 x 93 1/8 inches
1953
Richard Diebenkorn
Oil on canvas
68 5/16 x 57 15/16 inches
Year Acquired: 1996
1962
Richard Diebenkorn
Oil on canvas
40 x 34 inches
Year Acquired: 1991
1985
Nancy Graves
Bronze and stainless steel with polyurethane paint
92 3/4 x 70 x 31 1/2 inches

Nancy Graves established herself as an artist in the late 1960s with an exhibition of realistic, life-size camels. Fabricated out of wood, steel, burlap, polyurethane, animal hide, wax, and oil paint, these sculptures appeared to be taken directly from a natural history museum, and they asserted the artist’s interest in science and history. Graves returned to sculpture in the 1980s after a hiatus dedicated to painting, still interested in science and nature, but far from her camels of the late 1960s.

1999
Joseph Havel
Bronze
119 x 56 x 56 inches
Year Acquired: 2001

I'm interested in capturing the ordinary, whether it be an object or a momentary event. I want to make it permanent but make it seem like it isn't.(1) — Joseph Havel

2012
Jenny Holzer
9 LED signs with blue diodes
.85 x 120 x 576 inches
Year Acquired: 2012
2018
KAWS
Bronze
21 ft. high; 12,360 lbs

In CLEAN SLATE, 2018, the central figure strides forward, embracing smaller, childlike figures in each arm, a gesture recognizable to anyone who has found themselves in the company of two tired toddlers. Featuring KAWS’s iconic COMPANION characters, the bronze sculpture stands 21 feet tall and overlooks the museum pond.

1960
Henry Moore
Bronze with bronze base
50 x 113 x 54 inches
Year Acquired: 2002
2007
Roxy Paine
Stainless steel
40 x 45 x 28 feet
Year Acquired: 2008
1976
Michelangelo Pistoletto
Bronze, mirror
120 x 84 x 47 inches
Year Acquired: 2001
1996
Martin Puryear
Wood (ash and maple)
432 x 22 3/4 (narrowing to 1 1/4 at top) x 3 inches
Year Acquired: 2003

What excited me about [the piece] was that the length of it was such that you wouldn’t really be able to tell whether you were looking at something that had been manipulated or whether it was in fact truly receding into space through sheer length. — Martin Puryear

A master woodworker who studied carpentry, Martin Puryear makes expressive sculpture that often reveals a humble focus on human touch and the craft tradition of woodwork. The artist has created a number of works that relate to African American history, including Ladder for Booker T. Washington.

91 1/2 x 112 inches
Susan Rothenberg
Oil on canvas
91 1/2 x 112 inches
1980
Ulrich Ruckriem
Texas red granite
Left: 36 3/8 x 43 x 43 1/4 inches, Right: 36 3/8 x 43 3/4 x 43 1/2 inches
Year Acquired: 1981
1979
Sean Scully
Oil on canvas, two panels
84 x 84 inches
Year Acquired: 2002
1995
Sean Scully
Oil on canvas, three panels
114 x 180 inches
Year Acquired: 2002
1996
Sean Scully
Oil on canvas, three panels
96 x 144 inches
Year Acquired: 2002
2002
Richard Serra
Cor-ten steel
67 feet 10 inches x 21 feet 9 inches x 20 feet 10 inches
Year Acquired: 2002
1956
Clyfford Still
Oil on canvas
115 x 104 3/4 inches
Year Acquired: 1968

Among the small and elite group of American artists referred to by Time magazine as The Irascibles, and who made up the groundbreaking movement known as Abstract Expressionism in the 1940s and 1950s, Clyfford Still was arguably the most irascible and vociferous. Among a generation of American artists who were attuned and sensitive to the potential commercial and political exploitation of their art, Still was undoubtedly the most suspicious of institutional culture. He had little need for “middle men” to present his art and ideas.

1992
Hiroshi Sugimoto
Black-and-white silver gelatin print, edition of 25
20 x 24 inches
Year Acquired: 1995
1997
Cy Twombly
Cy Twombly
65 3/4 x 13 3/4 x 13 3/4 inches
Year Acquired: 1999
Undated
Bror Utter
Oil on canvas
Year Acquired: 1957
Undated
Bror Utter
Oil on canvas
20.25 x 24 inches
Year Acquired: 1949
20th Century
Bror Utter
Oil on canvas
19.25 x 30 inches
Year Acquired: 1946
1953
Charles T. Williams
Welded steel
19 1/4 x 36 1/4 inches
Year Acquired: 1954