Nov 29, 2019 - Feb 16, 2020
THE MODERN LIGHTS
November 29-February 16
 
The Modern trees will be illuminated with an array of festive lights in celebration of the holiday season. Passersby will be treated to a stunning display, and visitors are invited to enjoy evening viewing opportunities. 
The museum galleries will be open for FREE, 5 to 7 pm on Tuesdays and until 8 pm on Fridays.
 
FOCUS
Nov 08, 2019 - Jan 12, 2020

Martine Gutierrez’s photographs and videos explore gender, race, class, and sexuality, as well as conventional ideals of beauty and identity as a social construct. Her most ambitious project to date, Indigenous Woman, 2018, is a glossy, 146-page publication that closely mirrors Andy Warhol’s Interview magazine in form and production. Here, Gutierrez assumes the role of editor, writer, model, designer, ad executive, and photographer, with fictional advertising and high-fashion spreads where the artist continually reinvents herself throughout its pages.

Oct 18, 2019 - Feb 09, 2020

The Modern Art Museum of Fort Worth presents a 20-year survey of the work of Robyn O’Neil (American, born 1977), on view in Fort Worth, Texas, October 18, 2019, through February 9, 2020. Organized by the Modern’s associate curator Alison Hearst, the exhibition Robyn O’Neil: WE, THE MASSES explores the artist’s fruitful career from 2000 to the present and includes major multi-paneled drawings, signature works of graphite on paper, collages, and the animated film WE, THE MASSES, 2011.

Sep 07, 2019 - Feb 02, 2020

The Modern presents Julie Bozzi’s American Food, 1980–92, acquired by the Museum for the permanent collection in 2019. Bozzi’s sculptural installation consists of an oak cabinet with 13 drawers, 12 of which contain miniature reproductions of American food products, each carefully handmade by the artist and displayed under glass, like scientific specimens from a natural history museum. The food items are categorized into distinct genres, including cereals, snack cakes, and breakfast meats, which are indexed in the 13th drawer.

Jun 02, 2019 - Sep 22, 2019

David Park: A Retrospective is the first major museum exhibition in more than 30 years to present the powerfully expressive work of David Park (1911-1960), best known as the founder of Bay Area Figurative art. In the immediate postwar years, Park, like many avant-garde American artists, engaged with Abstract Expressionism and painted non-objectively. In a moment of passion, he made the radical decision to abandon nearly all of his abstract canvases at an East Bay dump.

FOCUS
Mar 30, 2019 - May 12, 2019

Los Angeles–based artist Analia Saban (b. 1980, Buenos Aires) takes traditional artistic media, such as paint, marble, and canvas, and pushes their limits in inventive ways that merge scientific experimentation with artmaking. In her Draped Marble works, Saban bends slabs of marble to the brink of destruction. Arced over walnut sawhorses, the marble appears fragile and pliable.

Feb 23, 2019 - May 12, 2019

This exhibition gathers work by artists who address concepts of space and place. Drawn entirely from the Modern’s permanent collection, the exhibition includes paintings, photographs, drawings, and videos by artists from the United States, Europe, Asia, and Mexico. The categories of space and place are broadly conceived, encompassing nature, the city, environment, geography, and atmosphere, as well as landscapes of the imagination.

FOCUS
Jan 26, 2019 - Apr 14, 2019

The photographs of Ghent-based Dirk Braeckman (b. 1958, Eeklo, Belgium) have a distinct stillness and quietude that counter the whirl of today’s visual landscape. Images of empty, unidentifiable interiors, architectural details, oceans, and partially obscured nude figures are just some examples of the artist’s subject matter. Braeckman’s deeply gray photographs are often abstracted, contributing to the mystery and intrigue of what his images convey while adding a sense of distance to the intimate interiors and views he depicts.

FOCUS
Dec 01, 2018 - Jan 13, 2019

Los Angeles-based artist and 2017 MacArthur Genius Fellow Njideka Akunyili Crosby draws upon her experience of moving from Nigeria to the United States while maintaining ties to her family in Africa and building relationships in America. Layers of paint, fabric, and photographic transfers not only energize the interiors and figures depicted in the artist’s works but serve as a metaphor for the complex merging of cultural backgrounds that contribute to Akunyili Crosby’s sense of self.

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