FOCUS
Mar 31, 2018 - Jun 17, 2018
Spanning painting, sculpture, collage, and installation, Kamrooz Aram's work investigates the complex relationship between Western modernism and classical non-Western art. By highlighting their formal connections, he reveals the typically downplayed role that non-Western art and design have played in the development of modernism and its drive toward abstraction. Challenging the traditionally Euro-centric narrative established by art history, Aram's work sets forth to disrupt this perceived hierarchy by merging and equalizing Western and non-Western forms.
Feb 16, 2018 - May 06, 2018

In 2007, the Modern Art Museum of Fort Worth hosted Ron Mueck, featuring the artist's figures that are extraordinarily realistic, except in scale - they are always depicted much smaller or larger than life. The exhibition broke attendance records for the Museum as Mueck's stunning works became a must-see for visitors from across the region. Now a decade later, Ron Mueck returns to the Modern from February 16 to May 6, 2018, for a special project showcasing six major sculptures created between 2008 and 2018, including two sculptures making their North American debut.

FOCUS
Jan 27, 2018 - Mar 18, 2018

Nina Chanel Abney's paintings are visually frenetic, reflecting the fast-paced energy of life today. Her imagery refers to such diverse subjects as pop culture, world events, and art history in compositions with flattened, simplified forms. Abney's works commonly incorporate snippets of text, disembodied figures and silhouettes, and geometric abstract shapes. Themes that relate to American society, including celebrity culture, race, sexuality, and police brutality, are broached in her paintings.

Dec 09, 2017 - May 06, 2018

Figures from the Collection offers various artists’ perspectives on people and their surroundings. The works’ subject matter ranges from autobiographical and inclusive of friends and acquaintances to historical or completely fictional. Taken entirely from the Modern’s permanent collection, the exhibition includes paintings, photographs, videos, prints, and drawings.  

Nov 24, 2017 - Feb 03, 2018

For the first time in its history, the Modern will be illuminated with a spectacular array of festive lights in celebration of the holiday season and in honor of the Museum’s 125th Anniversary
Lights will be illuminated, nightly, from 5 pm to midnight.

FOCUS
Nov 04, 2017 - Jan 14, 2018

Katherine Bradford is known for her vibrant palette and eccentric compositions. Often built up over months and sometimes years, Bradford’s paintings are textured, semi-transparent coats of acrylic paint, with hints of pentimenti exposed in the finished surface. Her recent works revisit several of her favored motifs, such as ships and swimmers—traditional and enduring subjects seen throughout art history. Bradford’s canvases, however, are more ominous, and often improbable in comparison to the relative calm of James McNeill Whistler’s paintings or Paul Cézanne’s portraits of bathers.

Sep 23, 2017 - Nov 26, 2017

Thirteen themed haunted houses across America make up the imagery for Misty Keasler’s Haunt, 2015–2017. A driving force behind this series, which depicts interior rooms and exterior scenes, is that the subject matter takes photography to the edge of where it fails as a medium.  “Photographs,” Keasler explains, “are often used to document an experience, yet the experience of walking through a haunted house is completely lost in each of the still images.

Aug 21, 2017 - Dec 08, 2017

The Modern maintains one of the foremost collections of modern and contemporary international art in the central United States. Various movements, themes, and styles are represented, including Abstract Expressionism, Color Field painting, Pop art, and Minimalism, as well as aspects of New Image Painting from the 1970s and beyond, recent developments in abstraction and figurative sculpture, and contemporary movements in photography, video, and digital imagery.

May 28, 2017 - Aug 20, 2017

Doug Aitken: Electric Earth is the first survey to comprehensively examine Aitken’s experimentations across mediums and disciplines, and it is organized as a full collaboration and dialogue with the artist and his studio.

FOCUS
Apr 08, 2017 - Jul 09, 2017

Katherine Bernhardt’s vibrant and youthful paintings hover between abstraction and figuration. Recently, she has been working on paintings in which she juxtaposes everyday objects, such as those in Windex cigarettes basketball, 2016, that float flatly atop lushly painted, solid grounds of color. Her subjects abound in popular and consumer culture and are depicted in a simplified, flat, gestural style that approaches a cartoonish quality.

Pages