Martine Gutierrez’s photographs and videos explore gender, race, class, and sexuality, as well as conventional ideals of beauty and identity as a social construct. Her most ambitious project to date, Indigenous Woman, 2018, is a glossy, 146-page publication that closely mirrors Andy Warhol’s Interview magazine in form and production. Here, Gutierrez assumes the role of editor, writer, model, designer, ad executive, and photographer, with fictional advertising and high-fashion spreads where the artist continually reinvents herself throughout its pages.
David Park: A Retrospective is the first major museum exhibition in more than 30 years to present the powerfully expressive work of David Park (1911-1960), best known as the founder of Bay Area Figurative art. In the immediate postwar years, Park, like many avant-garde American artists, engaged with Abstract Expressionism and painted non-objectively. In a moment of passion, he made the radical decision to abandon nearly all of his abstract canvases at an East Bay dump.
Los Angeles–based artist Analia Saban (b. 1980, Buenos Aires) takes traditional artistic media, such as paint, marble, and canvas, and pushes their limits in inventive ways that merge scientific experimentation with artmaking. In her Draped Marble works, Saban bends slabs of marble to the brink of destruction. Arced over walnut sawhorses, the marble appears fragile and pliable.
This exhibition gathers work by artists who address concepts of space and place. Drawn entirely from the Modern’s permanent collection, the exhibition includes paintings, photographs, drawings, and videos by artists from the United States, Europe, Asia, and Mexico. The categories of space and place are broadly conceived, encompassing nature, the city, environment, geography, and atmosphere, as well as landscapes of the imagination.
The photographs of Ghent-based Dirk Braeckman (b. 1958, Eeklo, Belgium) have a distinct stillness and quietude that counter the whirl of today’s visual landscape. Images of empty, unidentifiable interiors, architectural details, oceans, and partially obscured nude figures are just some examples of the artist’s subject matter. Braeckman’s deeply gray photographs are often abstracted, contributing to the mystery and intrigue of what his images convey while adding a sense of distance to the intimate interiors and views he depicts.
Los Angeles-based artist and 2017 MacArthur Genius Fellow Njideka Akunyili Crosby draws upon her experience of moving from Nigeria to the United States while maintaining ties to her family in Africa and building relationships in America. Layers of paint, fabric, and photographic transfers not only energize the interiors and figures depicted in the artist’s works but serve as a metaphor for the complex merging of cultural backgrounds that contribute to Akunyili Crosby’s sense of self.
The Modern maintains one of the foremost collections of modern and contemporary international art in the central United States. Various movements, themes, and styles are represented, including Abstract Expressionism, Color Field painting, Pop art, and Minimalism, as well as aspects of New Image Painting from the 1970s and beyond, recent developments in abstraction and figurative sculpture, and contemporary movements in photography, video, and digital imagery.
The Modern Art Museum of Fort Worth presents a major survey of works by Laurie Simmons (American, born 1949), organized by Andrea Karnes, senior curator, with full support of the artist. This exhibition will showcase the artist’s photographs spanning the last four decades, from 1976 to the present, a small selection of sculpture, and two films.
Known for his collaborations with pop icons and fashion house Louis Vuitton, and for vibrant anime-inspired characters, Japanese artist Takashi Murakami (b. 1962) has blurred the boundaries throughout his career between high and low culture, ancient and modern, East and West. Organized by the Museum of Contemporary Art, Chicago, the exhibition is a major retrospective of his paintings, featuring fifty works that span three decades of his career, from the artist’s earliest mature works to his recent, monumentally scaled paintings.