Martine Gutierrez’s photographs and videos explore gender, race, class, and sexuality, as well as conventional ideals of beauty and identity as a social construct. Her most ambitious project to date, Indigenous Woman, 2018, is a glossy, 146-page publication that closely mirrors Andy Warhol’s Interview magazine in form and production. Here, Gutierrez assumes the role of editor, writer, model, designer, ad executive, and photographer, with fictional advertising and high-fashion spreads where the artist continually reinvents herself throughout its pages.
Hrair Sarkissian’s debut solo exhibition in the United States features three major works that explore how violence can be made invisible, histories of erasure and restitution, and the sediments of conflict. In one of the artist’s most recent works, Final Flight, 2018–19, Sarkissian investigates the story of the endangered northern bald ibis, one of the rarest birds in the world and the living descendants of birds depicted in the oldest Egyptian hieroglyphs.
For more than a decade, Marina Adams has explored the relationships between color and form. In her acrylic-on-linen paintings, biomorphic forms dovetail, each structure distinguished by a solid field of color. Each painting has its own distinct palette, with diverse and unusual color combinations. While Adams sketches out her forms in charcoal before she paints, her work has an immediacy evidenced by loose, confident swathes of paint, where drips mark the canvases and bands of color overlap, creating a balance between organization and improvisation.