Kehinde Wiley creates larger-than-life-size portraits that mix historical Western European painting styles such as French Romanticism, Rococo, and Baroque with images from contemporary urban streets.  The resulting monumental works are painted in Wiley’s characteristic, flamboyant style and presented in ornate gold frames. While the artist evokes important and highly recognizable paintings from the past, he replaces those works’ elite white sitters with African-American men.

Martin Puryear is a retrospective that features approximately forty-seven sculptures, following the development of Puryear's thirty-year career from his first solo museum show in 1977 to the present day.

Declaring Space includes works by four artists whose images had a dramatic effect on the complex development of space and color in abstract painting as it evolved in the years following World War II. The works of these artists do not represent a movement as much as a dramatic evolution of what has come to be thought of as "the field," an often misunderstood term in the vocabulary of postwar abstract art.

Barnaby Furnas (American, born 1973) explores historical and biblical themes in his large-scale canvases, which are often described as colorful and expressionistic. The parting of the Red Sea, the Crucifixion, the hanging of the American abolitionist John Brown, and the American Civil War, for example, are depicted by Furnas in dramatic scenes that combine figuration with abstraction. To create his works, the artist places his canvases on the floor and allows pigment to pool and run, forming abstract shapes.