Jul 12, 2009 - Sep 27, 2009

William Kentridge: Five Themes, a comprehensive survey of the contemporary South African artist's work, features more than 75 works in a range of media—including animated films, drawings, prints, theater models, sculptures, and books. The exhibition is co-organized by SFMOMA and the Norton Museum of Art in West Palm Beach, Florida, and curated by Mark Rosenthal, adjunct curator of contemporary art at the Norton Museum of Art, in close collaboration with the artist.

Apr 05, 2009 - May 17, 2009

Painter and native Texan Rosson Crow’s upcoming FOCUS exhibition features her large-scale, vivid depictions of nostalgia-laden interiors that blend aspects of history with theatricality. Interior spaces are the foundation upon which Crow constructs her hotly colored, dripping tableaus. Often including Modernist architectural triumphs, and/or places with mythic backstories, Crow’s subjects range from Los Angeles’s Koenig House to Fort Worth’s White Elephant Saloon.

Feb 15, 2009 - Mar 29, 2009

As a young painter in the mid-1980s, Texas-based artist Jeff Elrod focused on creating ironic works that addressed American postwar abstraction. “I was conflicted,” the artist explains, “I was trying to find a clever way to approach painting because I felt like it wasn’t acceptable to earnestly make abstract work, even though I was earnest about it. I was searching for a relevant form of present-day American abstraction—for a while I collaborated with another artist, and then I made paintings that were components of larger installations.

Dec 14, 2008 - Feb 08, 2009

Ranjani Shettar creates large-scale, abstract sculpture by combining manmade and natural materials such as wood, beeswax, cloth, thread, rubber, PVC pipe, wire, steel, and beads. Her works, which appear to be as impulsive and random as they are patterned and logical, are frequently arranged as sculptural installations that interact with and articulate the space around them.

Sep 14, 2008 - Jan 04, 2009

The Swiss/American artist duo Teresa Hubbard (born 1965 in Dublin, Ireland) and Alexander Birchler (born 1962 in Baden, Switzerland) live and work in Austin, Texas. In a career of more than fifteen years, they have become known for their picturesque, color-saturated photographic series and their deliberately slow-paced video installations, which feature slow pan shots, endless loops, and puzzling plot lines. Starting with their early staged photographs, No Room to Answer presents key works from 1991 to 2008.

Jul 03, 2008 - Oct 19, 2008

My Complement, My Enemy, My Oppressor, My Love, the first full-scale American museum survey of the work of artist Kara Walker, features works ranging from her signature black cut-paper silhouettes to film animations to more than 100 works on paper.

Apr 20, 2008 - May 25, 2008

Kehinde Wiley creates larger-than-life-size portraits that mix historical Western European painting styles such as French Romanticism, Rococo, and Baroque with images from contemporary urban streets.  The resulting monumental works are painted in Wiley’s characteristic, flamboyant style and presented in ornate gold frames. While the artist evokes important and highly recognizable paintings from the past, he replaces those works’ elite white sitters with African-American men.

Mar 02, 2008 - Apr 13, 2008

Engaging the masculine, machine aesthetic of Minimalism and the equally macho, but gritty, iconography of heavy metal music, Banks Violette creates an unlikely pact between high and low forms of visual communication to explore the ways fiction can turn into belief, or fantasy can be rendered real. Violette’s work is often characterized as an exploration of present-day themes of disaster, driven by stories of teen angst or devotion to—even obsession with—a particular band.

Feb 24, 2008 - May 18, 2008

Martin Puryear is a retrospective that features approximately forty-seven sculptures, following the development of Puryear's thirty-year career from his first solo museum show in 1977 to the present day.

Jan 13, 2008 - Feb 24, 2008

FOCUS: Joshua Mosley features the artist’s high-definition animation short and sculpture installation titled A Vue, 2004. “A vue” is a French rock-climbing term meaning a clean ascent with no knowledge of the route. Like much of his work, A Vue addresses Mosley’s interest in the complex nature of balancing the personal with societal responsibility.