• Tuesday June 14, 2016 7:00 PM

June 14 – Gloria, 1980

It was about a woman who beyond her control stood up for a kid whom she wanted nothing to do with. Gena’s character was of a very simple person that loved her life and having to give it up for a Puerto Rican kid in New York City; it’s like if I meet somebody and they say, “Hey man, can you help me? I’m in a lot of trouble, and I’m going to be killed.” It’s one thing to be killed. But it’s another thing to give up everything that you own in life, all your friends, your whole way of life. So I think this woman gives up her whole way of life, and she does it in such a fashion that you believe her, and that’s basically the picture. If that works, then I think the picture works.
John Cassavetes, in Ray Carney’s Cassavetes on Cassavetes

John Cassavetes wrote and directed this 1980s American crime thriller, for which Gena Rowlands was nominated for an Academy Award and won a Golden Globe. A tough and self-possessed woman with former ties to the mob becomes the reluctant guardian of a young Puerto Rican boy whose family has been killed by the Mafia and who now has something the mob wants, setting the unlikely pair on the run in a treacherous New York City. Enamored with the image and role of Gloria [Rowlands], Joyce Pensato, whose work was featured in FOCUS: Joyce Pensato at the Modern last fall, sees the character as a pseudo self-portrait. In her Tuesday Evenings lecture, Pensato remarked, “Who doesn’t want to be a tall blonde with a gun?” And of the iconic image of the actress pointing a gun at the viewer, she stated, “I think of it as a very feminist presence.”
(123 min.)

Tuesday Evenings at the Modern: Films is an extension of the very popular lecture series Tuesday Evenings at the Modern, which is offered 10 weeks in the spring and fall of each year, this film-based weekly program runs through the summer months and strives to continue the consideration of ideas and issues pertaining to the art and architecture of the Modern and to contemporary art in general.   
Selections for screenings are related to or recommended by artists and speakers who have participated in the lecture series or are otherwise affiliated with the museum. There is nothing particularly prescriptive about the line-up, but as with the lecture series, themes can be found and connections made. To create a full experience, these presentations include a brief introduction and opportunity for discussion following the films.  

Seating is available in the Modern’s auditorium at 6:30 pm, and the program begins at 7 pm. The museum’s galleries and Café Modern's bar service are open until 7 pm on Tuesdays, June 7 through July 26, 2016.

This program is free and open to the public. Up to two free tickets can be obtained at the admission desk beginning at 5 pm the day of the screening.