Discover fresh ways to explore the human figure in this interactive studio session inspired by the Modern’s newest exhibition, Jenny Saville: The Anatomy of Painting.
Known for her powerful, large-scale depictions of the body, Saville offers a striking starting point for rethinking how we portray the figure.
Special guest artists Francisco Alvarado and Fernando Alvarez will lead a one-work spotlight tour focusing on the work of Teresa Margolles in honor of Hispanic Heritage Month. Come listen and discuss Margolles’s work as seen from an artist’s perspective. This event will be held outdoors and seating is provided. This event is free and open to the public.
BIG DRAWING
Select Wednesdays from 6-9 pm
December 3, 10, and 17 and January 7, 14, and 21.
Registration for this event has closed.
Directed by Richard Linklater
R; 100 minutes
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On the evening of March 31, 1943, legendary lyricist Lorenz Hart (Ethan Hawke) confronts his shattered self-confidence in Sardi’s bar as his former collaborator, Richard Rodgers (Andrew Scott), celebrates the opening night of his ground-breaking hit musical Oklahoma!
Directed by James Vanderbilt
PG-13; 148 minutes
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Directed by Kelly Reichardt
R; 110 minutes
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In a sedate corner of Massachusetts circa 1970, JB Mooney (Josh O'Connor), an unemployed carpenter turned amateur art thief, plans his first big heist. When things go haywire, his life unravels.
Directed by Bill Condon
NR; 128 minutes
“At the heart of it all, there’s Tonatiuh, who carries so much of the emotion of the film, expertly withholding when necessary and pouring it all out when called for.” —Bilge Ebiri, New York Magazine/Vulture
Valentín (Diego Luna), a political prisoner, shares a cell with Luis Molina (Tonatiuh), a window dresser convicted of public indecency. The two form an unlikely bond as Molina recounts the plot of a Hollywood musical starring his favorite silver screen diva, Ingrid Luna (Jennifer Lopez).
Directed by Raoul Peck
R; 119 minutes
“Orwell: 2+2=5 is an artful balancing act, one that dips in and out of Orwell’s life and work, but also uses a broad array of reference points as it swings from history to art to the most current of events.” —Steve Pond, TheWrap
Ted Kotcheff, 1982
R, 93 minutes
